In Some Other Life

Rating: 4/5

In Some Other Life, though fairly predictable and pretty unsubtle in its themes, is still a really interesting and engaging novel about a high school senior who gets to experience the other side of a “What if…?” The main character, Kennedy, wonders what would happen if she had made a different choice of high schools…cue fall down the stairs, cue waking up in a parallel universe.

As you might expect, this book is about “the grass isn’t always greener on the other side of the fence.” Kennedy quickly discovers that even though things seem perfect, the ripple effect of going to a prestigious private school has significantly altered her family, her friends, and herself (or at least, parallel universe herself). Though the portrayal of the school as a stress-fest where students need to heavily medicate and caffeinate themselves (and cheat) to survive is a little over-the-top, the little snippets of humor and Kennedy’s sheer disbelief at many of the things the parallel-universe reveals help to relieve some of that.

I wouldn’t really call this book particularly unique, but it is fun, engaging, and enjoyable—I devoured most of it in one day, even as I raised my eyebrows in parts and sighed at the heavy-handedness of the ending. It’s a great look at how you shouldn’t worry about the choice you didn’t make or wish for something that you can’t change.

Info: Jessica Brody; published 2017 by Farrar, Strauss, and Giroux

Genre: Young Adult, Realistic

Notes: None.

Recommended Age Range: 14+

The Lady with the Dark Hair

Disclaimer: I voluntarily received a copy of The Lady with the Dark Hair, by Erin Bartels, from Revell. All opinions are my own.  

My rating: 3/5

It’s hard to do a dual-timeline story well. Inevitably some part of the story seems irrelevant or unnecessary or simply weaker than others. Erin Bartels manages a fairly successful dual plot in this novel, though at times there are certainly chapters that are clearly characters trying to get from Point A to Point B, and tells a solid, heartwarming story about female accomplishment in two separate time periods in the process.

Though I didn’t enjoy this book as much as her previous one I read, Bartels is a good author, avoiding many pitfalls and problems with her straightforward, usually non-romance-centric tales. Her books are usually more character-driven, and the same is true of this one, where she tells two stories side-by-side: the story of Viviana Torrens, an aspiring female artist in the 1880s with a secret, traumatic past, and Esther Markstrom, a present-day gallery owner who, in her forties, is still struggling to figure out her place in life. As you might expect, the stories are connected, and even though the reader will figure things out much, much sooner than Esther, the build-up is quite nice and each story has enough to distinguish them that it makes each of them interesting, rather than imbalanced. Though there are hints of romance, it is not the focus; rather, the focus is more on females accomplishing things outside of the male sphere (especially Viviana’s story, which is about how female artists were underrecognized and struggled more than male artists).

I am sometimes critical of Christian-marketed books that don’t mention God at all. This book does not, as far as I can remember. However, the beauty of this type of book is its wide appeal: because there’s nothing overtly religious, many more people can read and enjoy it, and Bartels’ message about self-worth and perseverance is powerful and true.

Genre: Historical Fiction

March 2024 Books

Books read in March: 12

As a reminder, you can see every book I am currently reading on both the Goodreads sidebar on this blog as well as on my Goodreads profile.

Reading Stats:

*The categories do not cross (i.e., rereads will not count in their respective genres)

Non-fiction: 2

Adult fantasy/sci-fi: 2

Adult fiction: 3

Children’s: 1

Rereads: 0

Middle Grade: 1

Young Adult: 2

Publisher Copies: 1

Favorites:

The Goblin’s Puzzle

Rating: 2/5

The Goblin’s Puzzle is an interesting MG novel: shades of those absurdist/satirical-lite stories that seem a little self-indulgent, but manage to be at least marginally entertaining. It’s not at all what I was expecting, and because of that, I think I viewed this novel more unfavorably. I also had a very hard time focusing while reading it, so maybe that contributed as well.

What this book seems: a quirky puzzle book where characters join together to solve a puzzle set up by a goblin.

What this book is: an absurdist take on fantasy tropes with a plot involving a kidnapped princess; the goblin is along for the ride and to provide logical thinking puzzles for our plucky protagonists to solve.

I’m honestly reallynot sure why this book is titled the way it is.

Anyway, the book is fun, mildly humorous, and full of some witty conversations revolving around logic. It does seem horrendously self-indulgent and I think only a very mature MG reader would actually understand half of the topics discussed and poked at. As an adult, I chuckled in several places, but I don’t know how appealing this book would be to the actual age level it’s trying to reach. And it was so wildly unlike what I was expecting that I had a very hard time getting involved with the characters and their problems. It just wasn’t a great time for me to read this book, I guess.

That being said, it’s a great book for those niche readers that would really thrive from and love this style of writing, so there’s that. But I can’t really pinpoint the type of audience besides “readers who like a little bit of quirky, a little bit of wit, and a fairly entertaining plot, who won’t get bored halfway through like I did.”

Info: Andrew S. Chilton; published 2016 by Alfred A. Knopf

Genre: Middle Grade, Fantasy

Notes: None.

Recommended Age Range: 11+

Festergrimm

Rating: 3/5

Festergrimm continues the delightfully creepy tale started in Thomas Taylor’s Malamander, starring Lost-and-Founder Herbie Lemon continuing on his quest to discover the secret of his past, and his friend Violet, whose recklessness continues to push the plot forward as a foil to Herbie’s timidity.

I didn’t like this book as much as the previous three; there’s a definite “Part 1 of 2” feel throughout the entire novel, and this book definitely ends on a much looser note than any of the previous ones. While there are a few mysteries solved, everything else seems to be building up to a giant finale in the last book, and while that’s not a bad thing, it does make for an inevitably unresolved ending, for the most part. And it also serves to make the first three books feel a little useless, in a sense, at least in terms of plot (though obviously not in character development).

However, the book still has all the elements that make the first three so memorable. The illustrations continue to help contribute to the overall eerie atmosphere, and I’ve long gotten used to the same villain showing up again and again. And, in this book, there’s no “misunderstood monster,” or at least, it’s done in such a way that actually seems realistic (as realistic as a novel about ghosts, giant robots, and mythical sea creatures can be, anyway). Also, though we don’t seem any closer to discovering Herbie’s past, it does seem that Taylor finally realizes he needs to wrap up the series, so we get a lot more in this book than we have before, even if it’s mostly just “things that Herbie feels.”

I do think all the discussion about dead human body parts was a bit too much, though, especially in a book geared for a younger audience. That was taking “eerie” in a much more “gross and disturbing” direction than it needed to go.  

Info: Thomas Taylor; published 2023 by Walker Books

Genre: Middle Grade, Fantasy

Notes: Some elements of horror, mainly mentions of dead body parts being reused

Recommended Age Range: 11+

The Girl Who Fell Beneath the Sea

Rating: 4/5

The Girl Who Fell Beneath the Sea is a retelling of the Korean folktale “The Story of Sim Cheong,” although after doing some research into the latter, it really seems more like an alternative storyline focused on a different person. Whatever the case may be, I thoroughly enjoyed this beautiful, sweet story about Mina, an average girl whose bravery and determination saves the day.

While there are some elements of the world that make little sense, such as vague descriptions of constant war in the human realm and an overall lack of description of the human realm in general, the Spiritual Realm is richly developed with a large, interesting cast of characters. The plot is fairly predictable, but Oh’s prose and the characters themselves help mitigate the weak plot. While nothing new, the relationship between Mina and Shin is really sweet, and Mina is a strong, endearing protagonist, a great example of how you don’t have to be able to do everything to do anything.

I really enjoyed this book; I’ve been gravitating towards cultural fairytales/stories from areas I’m not as familiar with, and I’ve been pleased with what I’ve found so far! I don’t know if I’ll visit any of Oh’s other work, as her other books seem to be more contemporary, but I’m glad that I at least got to experience this one.

Info: Axie Oh; published 2022 by Feiwel & Friends

Genre: Young Adult, Fantasy

Notes: None

Recommended Age Range: 14+

The Dragon’s Promise

Rating: 2/5

The Dragon’s Promise follows the trend of previous Elizabeth Lim stories (and other similar duologies in general) with a sequel to a fairy tale retelling that is less reliant on the fairytale and more expansion of the world. And, like other books of this kind, I found the sequel to be far less interesting. I really enjoyed Six Crimson Cranes, but I struggled to get through The Dragon’s Promise.

One of the reasons is that the book ping-pongs back and forth between plot points and can’t seem to settle on what, precisely, it’s trying to do. What I thought was the main plot point ended 80 pages before the actual end of the book, and I was honestly surprised to discover that there was still so much left. This meant that the final, final plot point felt tacked-on, undeveloped, and flat despite its connection to the rest of the book.

In addition, a lot of what Shiori does simply doesn’t seem that interesting. Her relationships with other characters lack vibrancy; the novel starts with a nonserious love triangle and ends as predictably as you might expect with such a lukewarm, unexciting character as Takkan. Lim is clearly focusing on Shiori for the book, which is not a bad thing, but as a result, it means that Takkan barely has anything to do, making his scenes with Shiori fairly boring, not to mention predictable.

I also think the resolution of the book didn’t make a whole lot of sense, but I do sort of like how Lim consistently undermined initial exceptions and impressions, most notably in the character of Shiori’s stepmother. However, it didn’t really work as well with Shiori’s decision at the end in regard to magic and the demons, in my opinion.

It’s unfortunate that Six Crimson Crows is not a stand-alone book; it does end with a hook to this one, which in my opinion is the weaker of the two by a lot. There’s still lots of good writing to experience, but the execution is not as good.

Info: Elizabeth Lim; published 2022 by Knopf

Genre: Young Adult, Fantasy

Notes: None

Recommended Age Range: 14+

February 2024 Books

Books read in February: 11

As a reminder, you can see every book I am currently reading on both the Goodreads sidebar on this blog as well as on my Goodreads profile.

Reading Stats:

*The categories do not cross (i.e., rereads will not count in their respective genres)

Non-fiction: 1

Adult fantasy/sci-fi: 0

Adult fiction: 5

Children’s: 0

Rereads: 0

Middle Grade: 1

Young Adult: 3

Publisher Copies: 1

Favorites:

Lola at Last

Rating: 2/5

Lola at Last is the sequel to Being Mary Bennet and features the youngest Barnes sister, Lola, the “Lydia Bennet” of the family. In this book, Lola learns to navigate new friends, activities, and relationships as she struggles to move on from a scandal that uprooted the life she thought she knew how to control.

While I mostly enjoyed the first book, I really struggled with this one. Lola is not a particularly enjoyable protagonist, and though her moments of vulnerability give greater depth to her character, she is, quite simply, my least favorite type of protagonist in terms of personality. And though I praised the first book for its relative lack of sensual and sexual activity, this book is full of situations that I found borderline almost unreadable. I quite frankly would never in a million years recommend this book to be read by anyone under the age of 16.

That isn’t to say there’s not some good insight and themes in this novel. Though I didn’t like Lola, I think Peterson portrayed her struggles and insecurities really well, and I loved the genuine camaraderie that is built up throughout the novel between Lola and her hiking group. Peterson emphasizes how people learn to enjoy activities that others might never expect, such as Lola ending up loving hiking despite her family’s certainty that she wouldn’t last more than a day in the program. And I also enjoy how Peterson portrays that activities don’t just have to be confined to certain personality types—while Lola doesn’t strike anyone as an outdoors person, she learns to grow and thrive and enjoy that environment while still being herself. In a time where identifying people through stereotypes, rigid roles, and personality confinements seems to be making a huge resurgence, it’s nice to see Peterson point out that it is possible to love makeup, fashion, and parties, and also enjoy camping and hiking.

Info: JC Peterson; published 2023 by HarperTeen

Genre: Young Adult, Realistic

Notes: LGBTQ+, sexual references

Recommended Age: 16+

Six Crimson Cranes

Rating: 4/5

Six Crimson Cranes is an adaptation of “The Wild Swans”; in the same vein as similar fairytale retellings, Lim takes the fairytale and spins a fantasy world and plot out of it, using it as inspiration for her own world. Those familiar with the fairy tale will know where the story is going, but Lim also adds in enough of her own to make the ending, and thus the sequel, unique.

The story is pretty formulaic, but I really enjoyed the entire book regardless. Lim avoids many of my least favorite female heroine traits and creates a strong, determined protagonist in Shiori. Though her love interest isn’t particularly well-developed, I’m hoping the sequel will give us more personality, and it is a sweet romance without anything gratuitous or overly sensual added.

The ending of the novel is the only thing that detracted from it; while I enjoyed one of the twists, Lim overuses the type of character development where the character doesn’t change, just other characters’ perception of that character, and the expansion of the world hinges too much on a particularly annoying fantasy trope. Honestly, I would have loved to have seen what this book could have been as a stand-alone instead of the typical fairy-tale adaptation duology.

Despite the ending falling a little flat for me, I still thoroughly enjoyed this book and will definitely be seeing where the sequel takes the story.

Info: Elizabeth Lim; published 2021 by Knopf

Genre: Young Adult, Fantasy, Fairy Tales

Notes: None

Recommended Age Range: 14+