The Runaway Princess, by Kate Coombs, was published in 2006 by Farrar, Straus, and Giroux.
The Runaway Princess reminded me a lot of E. D. Baker’s books. It’s a non-serious fantasy about a rebellious princess (*shudder*) who, knowing better than all the adults around her (of course), sets off to complete the quest her father put in place for eligible suitors, thereby “winning her own hand” a la Merida from Brave.
It’s a good thing I recognized this as non-serious, fun fantasy early on, otherwise I would’ve spent the whole book wondering how the logistics of everything worked out. There’s no sense of scale, politics, or even world mechanics, and everything that happens just seems a little too unbelievable to be convincing that it would actually happen. It really starts to delve into melodramatic territory with the “angry parents” side plot.
I can see why a lot of people like this book. Meg is a rebellious, unconventional princess (a very popular trope) who goes against the status quo, befriends the lower class, and somehow knows a ton about the workings of society outside the castle despite never going out much. She’s oh-so understanding and friendly and remarkably capable despite, again, lack of knowledge and training. She knows better than anyone else what the correct way of things should be. Unluckily for me, I absolutely hate that type of character, especially combined with the overused rebellious princess trope.
For non-serious fantasy directed at a middle-grade audience, I suppose it’s a fine book. Again, many people would probably applaud the protagonist (especially considering the audience and everyone’s constant wish for strong female leads [or, at least, what they think a strong female lead should be]). Yet I found the whole book unbelievable, Meg annoying, and the jokes not funny. Coombs took one step too far and turned her non-serious novel into camp.
Recommended Age Range: 10+
Genre: Middle Grade, Fantasy
The Singing, by Alison Croggon, was published in 2008 by Candlewick. It is the sequel to The Crow.
I’ve discovered why I’ve struggled to get through these books—there’s very little action. Perhaps that’s why The Crow, the book with the most action, was my favorite. The Singing is, as all the books are, far too long, and there’s too much talking and introspection and not enough danger and suspense. Even the final “showdown” at the end with Sharma was anticlimactic.
Maerad also develops far too much power too quickly. There is not a very good balance to her growth in magic; she goes from somehow defeating a giant Elemental (within the range of what we know about her strength) to a glowing person who leaks magic and can destroy bad guys with a single breath, after merely sitting for ten minutes and thinking—or something. I’m not sure what was happening because my eyes were glazing over.
I honestly think if the books were much shorter, and if there were only three books instead of four, the whole effect would have been much better. But there are whole chapters of this book that are unnecessary, or scenes that go on for far too long, and after a while Croggon’s writing style really starts grating. And it’s clear she doesn’t know how to write action, so she limits it as much as she can, which is why so much of the final confrontation is inward rather than outward—but because everything is delivered in the same exact tone, there’s no suspense or tension to the scene. There’s practically no struggle, either.
Hem remains the only interesting character; Maerad is too flat and boring, especially in this book. The problem with making your character super-powerful is that it also makes them super-boring without conflict or struggle to make them interesting. Hem, who was more normal, seemed more alive than Maerad, who spent most of the last half of the book in a daze that wasn’t really all that important to developing any part of her character.
The Singing, and the Pellinor series in general, tries so hard to deliver on epic fantasy, but falls short in terms of pacing, action, characterization, and intrigue. There’s no politics, barely any struggle, and there wasn’t enough editing done to help mitigate that. I’m a bit sorry I spent so much time on these books, honestly, but what’s done is done, and now I know that I can’t stand them (except for The Crow. That one was okay).
Recommended Age Range: 12+
Genre: Young Adult, Fantasy
Ghostly Echoes, by William Ritter, was published in 2016 by Algonquin. It is the sequel to Beastly Bones.
Something happened to these delightful Jackaby novels, and I’m not quite sure what. The first two books were fun and charming. Ghostly Echoes, though…I struggled to immerse myself in it. It started off promising enough, but then characters appear simply to voice author messages and political/social stances, and the pleasant supernatural mysteries explode into a malevolent evil plot, complete with a trip to the Underworld.
I think what I liked about the first two Jackaby books was that they were urban fantasy/supernatural lite. There were supernatural elements, sure, but those were intertwined with “normal” 1800s life. Yet this book suddenly decides to introduce immense supernatural content (such as the aforementioned Underworld, and a sinister Dire Council) with the mystery taking the backseat.
Perhaps this is simply my dislike of supernatural books talking, much like how I struggle to enjoy science fiction. I also started disliking Stiefvater’s The Raven Boys when she started ramping up the supernatural. Or perhaps it’s my dislike of authors using characters merely as mouthpieces, which is what happens in this book with the character of Lydia Lee, who serves absolutely no purpose beyond plot convenience and soapboxing. Make those characters more interesting!
Whatever it is, my enthusiasm for Jackaby has dimmed so much that I wonder whether I’ll even read the last book. To be honest, I have no desire to find out what happens next. That disappeared when Abigail took a trip to visit the dead.
Recommended Age Range: 12+
Genre: Young Adult, Urban Fantasy
You can buy this book here: https://amzn.to/2NYzYxD
A Visit to William Blake’s Inn: Poems for Innocent and Experienced Travelers, by Nancy Willard, was published in 1981 by Harcourt.
When I first saw the title of this book, I thought it would be rewritten poetry of Blake’s, or his poems presented in a new way. But it’s not about that at all—instead, Willard starts with “Hey, let’s pretend William Blake ran an inn” and then talks about dragons and monkeys and tigers and cats. It’s not even about William Blake at all, so the little tribute that Willard includes in the beginning to William Blake makes no sense. In fact, if William Blake had been left out entirely and some random made-up person had been the innkeeper instead, the poems would have had the exact same effect.
Maybe I’m just really unaware of Blake’s poetry—maybe Willard has actually subtly woven in parts of Blake’s poetry into her own poetry as a nod and as a unifying theme to warrant the title. But to me it seems like she just chose this historical person and inserted him into poems about dragons and a fantastical inn because she liked him as a poet, not because he actually lent himself to the material in any way.
So, basically I’m not the best audience for this sort of book because I don’t really like reading poetry and I think characters with no use shouldn’t be in books. However, A Visit to William Blake’s Inn is full of magic and fantasy, with poems that would be fun to read aloud to a child and lots of great illustrations to go with them.
Recommended Age Range: 8+
You can buy this book here: https://amzn.to/34we1fp
The First Collier, by Kathryn Lasky, was published in 2006 by Houghton Mifflin. It is the sequel to The Outcast (but technically a prequel to the series).
The First Collier is an interesting installment in the Ga’Hoole series. It’s the first book in a prequel trilogy that details the start of the legends of Ga’Hoole: the owl king Hoole and his war with the hagfiends (and presumably his founding of the Guardians of Ga’Hoole). This first book deals with Grank, the titular first collier, and how he comes to receive Hoole’s egg and cares for it. Appropriately, the book ends with Hoole hatching.
Lasky really steps up the fantastic elements in this one, with the owl-crow hagfiends and their yellow eye magic, Grank’s own magery, and, of course, the ember of Hoole and the egg of Hoole. It’s also the first Ga’Hoole book to be in first person, which actually helped out a lot. It completely changed the usual ebb and flow of Lasky’s writing and helped make things less stiff and clunky and cheesy. Rather than everything feeling stilted and there being an abundance of telling rather than showing, the first person narration lessened that a lot, though there were a few instances of rather awkward worldbuilding.
However, despite some of the new things, I think I’m simply getting bored of the series. Every book feels the same. Lasky does not do enough to change things up (the first person helped, as did some of the elements of the world, but not enough); I feel as if I am reading the same story over and over again. It reminds me a bit of Erin Hunter’s Warriors series, another set of books that I ultimately got tired of as they were all too similar. The First Collier had interesting bits to it, but overall everything was done in the same delivery and style—there was even an Otulissa replacement! The only thing that changed was the terminology. I’m halfway through the Ga’Hoole series, but I’m not sure if I want to finish or not.
Recommended Age Range: 8+
Genre: Children’s, Fantasy
You can buy this book here: https://amzn.to/2U7iTmk
Disclaimer: I voluntarily received a copy of The String, by Caleb Breakey, from Revell. All opinions are my own.
My rating: 2/5
The String is like Criminal Minds mixed with a cop or spy movie. There’s a psychopathic killer who has blackmailed/coerced several people to become members of his “string” and who are forced to do his bidding. Enter plucky university cop Markus Haas, who is determined to stop him, and things start going crazy.
Look, if you like this sort of suspense novel, which is heavy on violence, psychological horror, and the like, then this book is definitely for you. It’s a bit long for what is a relatively simple plot, but Breakey manages to pull a few surprising twists and turns along the way. He also manages to accomplish the difficult task of making the villain understandable, but not sympathetic.
There’s a couple of reasons why I rated this book so low. One is that I simply couldn’t enjoy it. I had to stop watching Criminal Minds for a reason, and it’s that I can’t handle large doses of darkness. And the way this book is written, we’re meant to indulge in that darkness a bit; it’s supposed to drive our enjoyment of a novel, and that really doesn’t sit well with me. There’s only so much manipulation, violence, and caught-between-rock-and-hard-place moral dilemmas I can deal with.
Another reason is that I was disappointed that this book is only superficially Christian. Okay, so Stephanie is a Christian in this book, and Haas is sort of thinking about it. Yet Stephanie barely does anything beyond a quick prayer once or twice. This book could have truly delved into the Christian response to this sort of psychopathic evil, and what people do, and all those sorts of interesting moral dilemmas, and I would have loved to see way more prayer, way more Bible reading, and way more appeals to God. Instead we get some occasional mentions and that’s it.
I don’t know, perhaps Breakey didn’t want to be preachy or something. Or maybe his goal was simply to write a suspense book, never mind the religion of the characters. But I felt that there was so much opportunity lost by not having the characters react more in ways that really demonstrated their Christian beliefs.
Warnings: Lots of violence, psychopathy, hints of child abuse
Genre: Realistic, Suspense/Thriller
You can buy this here: https://amzn.to/2Mt0v5I
Missing May, by Cynthia Rylant, was published in 1992 by Scholastic.
Missing May is yet another Newbery Medal winner that baffles me. It’s a book about grief, and learning to move past grief, but there’s nothing overwhelming special about it and the book is so short that it’s hard to get a firm grasp of the characters or even their development. The entire book hinges on a trip to some Spiritualist Church so that Summer, Cletus, and Ob can summon the ghost of Ob’s wife May (or something). And then everything is resolved in the space of a single paragraph.
Okay, so there’s a little bit more going on than that. There’s the relationship between Cletus and Summer, Cletus and Ob, and Cletus, Summer, and Ob. There’s Summer realizing that Cletus isn’t the person he appears, and that other people don’t view him the way she does. And there’s a bit of a peek into Summer and Ob’s relationship, though most of the book is focused on May and Summer. But, again, the book is so short that there’s not enough time for all of these dimensions to be fully explored. Rylant does a fairly good job, but it mostly relies on cramming development into single sentences (like with the resolution of the novel).
Plus, the whole premise is strange. Ob “sense” the “ghost” of May, then is determined to go call up her ghost because he misses her so much, so they plan a trip to make a séance. The exploration of grief is interesting and needed, but the ghost stuff skews the focus, in my opinion. And, again, the book is too short to achieve any sense of fulfillment or development!
Missing May will go on the “How did this win?” list, as well as the “I won’t remember this in two days” list. The theme of the story—grief and overcoming grief—is important, but the spiritualism makes the whole book strange, and the character development, like the plot, is rushed and poorly resolved.
Recommended Age Range: 8+
Genre: Children’s, Realistic
You can buy this book here: https://amzn.to/2Yswm93
West to a Land of Plenty: The Diary of Teresa Angelino Viscardi, by Jim Murphy, was published in 1998 by Scholastic.
West to a Land of Plenty is the third or fourth Western expansion Dear America novel, this time telling the story of an Italian family going to Idaho Territory. It’s more like All the Stars in the Sky than like Across the Wide and Lonesome Prairie (the best of all of them): less memorable, more boring, with too much emphasis on travel rather than on community and settlement (Across the Wide and Lonesome Prairie did both).
However, West to a Land of Plenty does do at least one groundbreaking thing: having more than one person write in the “diary.” Teresa is joined by her sister, Netta, and they both end up recording the journey. It’s a new thing for the Dear America books, and it makes this novel stand out just a little bit more. Also different is the fact that the family is Italian, so emigration and culture play a small role, as well.
To be honest, I think I would have enjoyed this book more if I hadn’t been reading the series in chronological order and hadn’t read three other wagon-train books before this one. It’s really not that bad, and the joint writers make the novel more interesting than some others. But in the order I read them, I was already tired of wagon-trains and traveling books, so unfortunately that affected my opinion of the novel and that’s why I gave it such a low rating. I’m ready to read about a new topic in these Dear America books.
Recommended Age Range: 8+
Genre: Children’s, Historical Fiction
You can buy this book here: https://amzn.to/2Y90JRv
About the Book
Series: Pine Haven
Genre: Christian, Contemporary
Publisher: Chanson Books
Publication date: March 7, 2019
Robin Lancaster, a twenty-six-year-old former kindergarten teacher, has her summer and her life all figured out. She’s ready to be on her own, writing and illustrating her children’s stories at her family’s beloved lake house. Once there, she intends to rekindle a romance with Caleb Jackson, the area’s top hunting and fishing guide, and bag him for herself. Complications arise from the start when Robin finds out her mother has rented the lake house to a man they know nothing about. Matthew McLaughlin, forty-year-old widowed university professor and author from California, shows up at Pine Lake in crisis. A sabbatical might be his only hope to save much more than his career. He needs a place of refuge. Sharing the lake house with a lighthearted young woman and her dog is the last thing on his mind. Caleb Jackson has his own plans. He’s used to things going his way, but a man staying in Robin’s house presents unforeseen challenges. When paths unavoidably entangle for these three, hearts are on the line.
About the Author
Rose Chandler Johnson is known for her heartwarming, inspirational writing. In addition to works of sweet contemporary fiction, her devotional journal, won the Georgia Author of the Year Finalist Award in 2014.
In her novels, Rose brings to life fascinating characters with compelling relationships embracing family, community, and faith. In distinctive southern settings, Rose creates memorable stories that will stir your heart. Readers often say her writing warms the soul as it reaffirms belief in love and wholesome goodness. Don’t be surprised if you sigh with pleasure as you savor the final pages of her stories. Rose has lived in a suburb of Augusta, GA for thirty plus years. Before retiring from Georgia’s school system, she taught English, French, and ESOL. Currently, she is an English instructor at a community college. In addition to reading and writing, Rose enjoys cooking, sewing, gardening, and spending time with her six children and her beautiful grandchildren.
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