Gemina by Amie Kaufman and Jay Kristoff

Gemina, by Amie Kaufman and Jay Kristoff, was published in 2016 by Alfred A. Knopf. It is the sequel to Illuminae.

Rating: 3/5

Kaufman and Kristoff work hard in Gemina to both continue the same tone and format that made Illuminae so unique, and to add new elements to tell the story in—in this case, a journal as well as some different forms of chatrooms. In addition, they ramp up some of the other formats with pictures and other visual elements, making for some rather beautiful pages.

The plot is virtually the same as Illuminae, except a bit less thrilling, less interesting characters, and now-stale gimmicks. Instead of a virus threatening to turn everyone into raging manaics, there’s alien predators who make you basically comatose. They’re kinda scary, but mostly just distracting from the real villains, the hit squad who come to the station to murder/cover up the tracks of the villainy caused by Evil Corporation. Except the hit squad gets summarily dispatched one by one by said alien predators and three teenagers.

Hanna and Nik are the “required” boy/girl protagonist love interests of this novel, though the romance is completely unnecessary and even distracting at times. It adds nothing to either the characters or the plot. It’s like the authors think that because the protagonists are a girl and a boy, there must be a romance between them.Far more interesting is the relationship between Hanna and Jackson, her boyfriend at the start of the novel (Hanna suddenly falls in love with Nik instead along the way).

Another gripe I have with the book is the fact that the authors pulled so many bait-and-switches that the end felt cheap. For one brief moment I wondered if Kaufman and Kristoff were actually going to do what I initially thought—and I was both disgruntled and thrilled that they would do something so daring. Instead, though, they pulled something they did in the first book (more plot repetition) and reversed everything (twice, really!), which left me feeling just disgruntled.

I did like Gemina, I really did, but if the third book is a repeat of plot and character tropes like this one was, then I might stop enjoying this series.

Recommended Age Range: 14+

Warnings: Lots of (censored) swearing, sexual innuendo, violence.

Genre: Science Fiction, Young Adult

You can buy this book here: https://amzn.to/2phGy86

The Hidden Side by Heidi Chiavaroli

Disclaimer: I received a free copy from the author. All opinions are my own.  

My rating: 4/5

Having read a book by Chiavaroli before (The Edge of Mercy), I went into The Hidden Side familiar with her style and curious to see if some of the things that fell a little flat for me in the previous book I read would do the same thing here.

The Hidden Side (and Chiavaroli’s style in general) is really two stories running concurrently—a contemporary one and a historical one. The contemporary one tells the story of the Abbott family and their struggles to hold on to their family and their faith after a devastating and terrible act is committed by the son. The historical one is about Mercy Howard, who becomes a Patriot spy (one of the Culper Ring, I believe) to ferret out British secrets during the Revolutionary War and discovers lots of things about love and faith along the way.

If you’re wondering how in the world Chiavaroli connects the two stories together, I’m still trying to figure that out myself. Both stories would be fine on their own, but together, the relation between the two, the reason why Natalie Abbott is reading the journal of Mercy Howard and why the reader should care, is a little thin. It’s explained, and probably makes a lot of sense, but I never really thought about it because my interest was never in Mercy Howard’s story at all—in fact, I only skimmed her chapters. To me, it made no sense to have that story in this book because all it did was distract from the real shining star, which was the gut-wrenching, difficult story of a family struggling to make sense of why evil things happen. This was also my problem with The Edge of Mercy—the historical entry in that book also, I felt, took away from the much more powerful contemporary one.

I won’t go into the struggle the Abbott family faces in this novel, as I think it’s best to experience it as it’s presented in the novel, but it’s an issue that strikes terrifyingly close to society today. Chiavaroli pulls no punches, but also shows deep sympathy for the complicated tangle of knots that causes evil and that evil causes. It’s comprehensive and nuanced, and I applaud Chiavaroli for taking such a difficult subject head-on and showing the effects and consequences of evil, and how people can move past it without losing love, mercy, or justice.

Warnings: Violence, bullying, mentions of rape.

Genre: Realistic, Historical Fiction, Christian

You can buy this here: https://amzn.to/2n0byIX

Wolf Wing by Tanith Lee

Wolf Wing, by Tanith Lee, was published in 2002 by Dutton. It is the sequel to Wolf Queen.

Rating: 3/5

Wolf Wing is the last book in the Claidi Journals series, but it feels like it didn’t need to be. In fact, the only thing it contributes, beyond love angst and Girl Power, is resolution about what’s been going on in the House for the past three books.

It’s not that I didn’t dislike the book. I liked it fine. Claidi has as unique and funny a voice as always, and the addition of Thu made for some great fun. We also learn a lot of things about Claidi that are kinda neat, in a “that wasn’t really necessary, but all right, that’s cool” kind of way. And she and Argul finally get married (and then only exchange about ten words to each other, it seems like) and have their happy ending, so there’s that.

However, the whole book just…isn’t that necessary. There are a lot of characters brought back, and a lot of resolution for them, but that all happens very quickly. The majority of the book is Claidi wandering through Ustareth’s created continent by herself, feeling lonely and jealous—or at least that’s what it felt like. Even before that, Claidi was alone, despite marrying Argul. And Lee throws so much stuff at the reader in the end that the whole pace of the book is thrown off. Nothing that was revealed in this book really changes anything from the first three, and it mostly just seems that Lee really wanted Claidi to be someone special, so she wrote a whole book about it. I can’t say that Wolf Wing is bad, as I did enjoy it. But I found it, ultimately, underwhelming and unnecessary.

Recommended Age Range: 10+

Warnings: None.

Genre: Young Adult, Fantasy

You can buy this book here: https://amzn.to/2lxF0FJ

Ghostly Echoes by William Ritter

Ghostly Echoes, by William Ritter, was published in 2016 by Algonquin. It is the sequel to Beastly Bones.

Rating: 2/5

Something happened to these delightful Jackaby novels, and I’m not quite sure what. The first two books were fun and charming. Ghostly Echoes, though…I struggled to immerse myself in it. It started off promising enough, but then characters appear simply to voice author messages and political/social stances, and the pleasant supernatural mysteries explode into a malevolent evil plot, complete with a trip to the Underworld.

I think what I liked about the first two Jackaby books was that they were urban fantasy/supernatural lite. There were supernatural elements, sure, but those were intertwined with “normal” 1800s life. Yet this book suddenly decides to introduce immense supernatural content (such as the aforementioned Underworld, and a sinister Dire Council) with the mystery taking the backseat.

Perhaps this is simply my dislike of supernatural books talking, much like how I struggle to enjoy science fiction. I also started disliking Stiefvater’s The Raven Boys when she started ramping up the supernatural. Or perhaps it’s my dislike of authors using characters merely as mouthpieces, which is what happens in this book with the character of Lydia Lee, who serves absolutely no purpose beyond plot convenience and soapboxing. Make those characters more interesting!

Whatever it is, my enthusiasm for Jackaby has dimmed so much that I wonder whether I’ll even read the last book. To be honest, I have no desire to find out what happens next. That disappeared when Abigail took a trip to visit the dead.

Recommended Age Range: 12+

Warnings: None.

Genre: Young Adult, Urban Fantasy

You can buy this book here: https://amzn.to/2NYzYxD

The Crow by Alison Croggon

The Crow, by Alison Croggon, was published in 2006 by Candlewick. It is the sequel to The Riddle.

Rating: 4/5        

I anticipated that The Crow would be my favorite of the Books of Pellinor so far, and I turned out to be correct. The absence of Maerad and pages of pages of her and Cadvan doing absolutely nothing helped make The Crow more interesting, though still just as massively long. This time, though, the book is cram-jam full of action, from the siege of Turbansk to Hem infiltrating the child army of Den Raven.

That’s not to say the book was perfect. It was still way too long, and this time there was so much crammed in that there was almost no time to pause before being slapped in the face with tension and action all over again. I also really didn’t like the plot convenience behind Hem getting his hands on the second half of the Treesong, and the fact that his trek across the country to rescue Zelika was a complete waste of time (except for that previously mentioned plot convenience—or should I say incredibly obvious plot machination??).

Speaking of Zelika, she was a bit annoying, and I’m sure many people probably don’t like where her character goes and how her character is used in the book, though it didn’t bother me as it was realistic. I just am not fond of brash, headstrong characters who do stupid things. Hem was better, though he got a bit annoying at times, too. I liked him more than Maerad, as he seemed more normal and acted in a more understandable fashion than Maerad’s odd weak/strong, passive/assertive ping-pong personality. He also used more magic in one book than Maerad seemed to use in two, so Hem definitely seems the more Bardic of the two and also seems to understand more about many things than Maerad does, though perhaps my memory of the first two books is simply failing me.

Despite the problems with the book, I still enjoyed The Crow for being much more fast-paced and action-y than the first two books, as well as less clumsy in delivery. The characters were more interesting and realistic, though I wasn’t fond of Zelika and Hem had his bad moments, too. The worst part of the book is the obvious plot manipulation in the last third, which made all the other manipulation stand out even more.

The last book promises to bring together Hem and Maerad in one last attempt to free the Treesong and defeat the Bad Guy before he destroys everything. I remember not liking the ending, so we’ll see how it goes!

Recommended Age Range: 12+

Warnings: None.

Genre: Young Adult, Fantasy

You can buy this book here: https://amzn.to/2ZxY84d

Wolf Queen by Tanith Lee

Wolf Queen, by Tanith Lee, was published in 2001 by Dutton. It is the sequel to Wolf Star.

Rating: 4/5

Wolf Queen solves lots of the mysteries that were set up over Wolf Tower and Wolf Star and sends Claidi and Argul off on a happy ending, finishing up the Claidi Journals on a sweet, sentimental note—or, at least, that’s what the book wants me to think.

See, this isn’t actually the last Claidi book, though it’s the last one I read. Lee wrote one more, though apparently wasn’t planning to, based on the blurb for this book. I’m excited to read it to see what happens, as that one will truly be a “blind” read for me. This book, Wolf Queen, wasn’t quite as jaw-dropping as it should have been, since I’ve read it before and knew the big twist already. However, it was nice to read it to see all the hints Lee dropped beforehand.

Claidi’s voice is as delightful and unique as always, and even though this book introduces some truly outrageous (in a good way, I think) fantasy/sci-fi elements, her voice made everything somehow more plausible and realistic. I wish it was explained more as to how, exactly, a lot of the magic/technology works—we’ve got clockwork people, which I understand, but then all there are also powerful items that operate on a “don’t pay too much attention to the mechanics” level. Ustareth’s ring is one of those, of course, and it did bother me a bit that there was no explanation as to how it can do half of the things it did.

I wish each book didn’t hinge quite so much on “Claidi gets taken places,” but, again, Claidi’s voice is so delightful that she could probably stay in one room the whole book and it would still be interesting. These books lack a bit of something that I can’t really explain—they’re interesting, and I like them a lot, but they don’t grip me like some books do. However, Claidi and Argul are adorable, and the draw of the books is Claidi’s voice, not complexity of plot or stellar worldbuilding. I can deal with that—and I’m looking forward to exploring Wolf Wing, the book I never read, and seeing if Lee can surprise me.

Recommended Age Range: 10+

Warnings: None.

Genre: Young Adult, Fantasy

You can buy this book here: https://amzn.to/2HhAtP8

1967 Newbery Medal: Up a Road Slowly by Irene Hunt

Up a Road Slowly, by Irene Hunt, was published in 1966 by Modern Curriculum Press.

Rating: 3/5

Up a Road Slowly reminds me a little bit of a lesser Anne of Green Gables, but much more of Rebecca of Sunnybrooke Farm, except with less moralizing and a nicer aunt. It’s the story of Julie, who at seven goes to live with her aunt after her mother dies and learns new meanings of love and family as she deals with her older sister getting married, her wild uncle, school rivalries, the death of a student, and boyfriends. However, like Rebecca, it’s much less tongue-in-cheek than Anne, and it uses a ton of plot tropes and language that is extremely reminiscent of older literature and really dates the book.

The writing style is a little old-fashioned and very mature-sounding, even when Julie is only seven (something that is a bit jarring until you get used to it). As Julie gets older, however, she grows into her voice, and I do believe the whole thing is supposed to suggest that Julie is writing this as a memoir from later on in her life. As far as plot and theme go, I thought Hunt’s messages were very good, though they were often delivered in ways that wouldn’t be acceptable today. For example, the description of Agnes, Julie’s classmate who suffered from some sort of mental disability, made me wince a bit, though that would have been an acceptable description in the 60s. However, the language as a whole really gives the book much more of an old-fashioned feel than I think the decade it was written in warrants.

There’s also quite a few dark themes hidden in the book, the most notable being Julie’s old friend Carlotta being “sent away” for the winter after scandal erupts (i.e. she was pregnant). The book as a whole is really quite mature for a children’s book, much more suited for a young adult audience (who would probably understand it and enjoy it more).

I enjoyed Up a Road Slowly, but I didn’t find it overly impressive, and I think it’s too dated to really stand out. The maturity of the themes and the writing were welcome after some of the rather more childish books I’ve read, but that limits the audience as well as alienates them. A good book, but not one I’d probably revisit.

Recommended Age Range: 12+

Warnings: None.

Genre: Young Adult, Realistic

You can buy this book here: https://amzn.to/31I8q3i

Skyward by Brandon Sanderson

Skyward, by Brandon Sanderson, was published in 2018 by Delacorte

Rating: 5/5

Brandon Sanderson is always so consistently good as a writer—his plots are intricate, his characters are fleshed out, the worldbuilding is superb, and there’s always a bit of humor thrown in to mellow things out. Skyward is no exception. I don’t normally like science fiction, but Sanderson makes it interesting—and understandable. One of his trademarks as an author is complicated, but understandable worldbuilding, and in Skyward everything from the caverns to the planet, but especially the fighter ships, is meticulously explained in a way that makes sense and that flows from the world naturally.

This book was very hard for me to put down, since Sanderson is so good at pacing and tension. While perhaps not as fun as Steelheart was, with all of its superpowers, Spensa and the other members of her flight crew made the book come alive and made me enjoy every minute of it. I also enjoyed the mysteries surrounding M-Bot, Spensa’s spoiler-y ability which I won’t really talk about, and Doomslug (who may not be mysterious, but certainly seems that way). And did I mention that I normally dislike science fiction to the point where it’s hard for me to enjoy any book of that genre, regardless of writer or quality? Yet Sanderson made it as interesting and exciting for me as any book of another genre because he’s so good.

All right, I might be biased (like with Diana Wynne Jones), but I did really love the book. I found a few things problematic towards the end, especially with the big reveal about Spensa and the Krell that I thought was perhaps delivered too fast (though there’s room in the sequels to explore all that, I suppose) or not explained enough, but Skyward was an excellent, fun adventure all the way through.

Recommended Age Range: 14+

Warnings: None.

Genre: Young Adult, Science Fiction

You can buy this book here: https://amzn.to/2Z5oXAS

Wolf Star by Tanith Lee

Wolf Star, by Tanith Lee, was published in 2000 by Dutton. It is the sequel to Wolf Tower.

Rating: 4/5

The thing that stands out the most to me in The Claidi Journals is Claidi’s voice. The parentheses, the random asides, the subtle sarcasm and wit, all combine to make Claidi distinctive, unique, and memorable as a protagonist. And Lee is so good at following old tropes, and yet somehow making them new.

For example, in Wolf Star, Claidi is kidnapped and taken to the mysterious Rise and must figure out a way to escape. Although she never actively tries to run, her reasons for why she doesn’t are relatable and make her more realistic as a protagonist. Then, as she gets to know Venn and is intrigued by the mysteries of the moving rooms and the clockwork servants, her curiosity is what makes her stay. And I love the contrasts set up in this book: the contrast between Venn and Argul, between Ustareth and Zeera, between Wolf Tower and the Rise, and even between Claidi-before and Claidi-after.

Wolf Star is strange, and not much happens—it’s much more of a character-focused novel, intent on exploring a particular backstory, than an action-packed novel. There’s less excitement and movement than the first book, yet this one has excellent pacing and worldbuilding to make up for it. The one thing that jarred me was the revelation of Argul’s age—he doesn’t seem, and has never seemed, like an eighteen-year-old. A strange thing to complain about, but it caused a disconnect for me.

I can see not everyone liking these books. Wolf Star in particular seems framed for a very specific audience; it’s a strange book in its flow and in its story. I loved it, but I enjoy books where the protagonist is witty, but not ridiculous; brave, but not aggressive; faltering, but not bemoaning. Claidi is all of that and more.

Recommended Age Range: 10+

Warnings: None.

Genre: Young Adult, Fantasy

You can buy this book here: https://amzn.to/2SoGkqo

The Riddle by Alison Croggon

The Riddle, by Alison Croggon, was published in 2004 by Candlewick. It is the sequel to The Naming.

Rating: 2/5

The Riddle is the book that I probably remember most of the Books of Pellinor. The ending of this book is the ending that I thought was in the first book. I remember when I read it the first time that I thought it was a very sweet and poignant scene, but this time around was more of a “shrug, meh” moment. Maybe because I remember absolutely hating the ending of the fourth book, and the ending of the second book is the precursor to that.

Anyway, The Riddle continues to be Tolkien-esque. It’s a hefty book, though to be honest, I feel like most of the first half of the book could have been left out. Maerad and Cadvan spend weeks on an island for no reason. The most interesting part of the book is the second half, when Maerad traverses the ice lands in the North and is then taken to the domain of the Winter King. Croggon does a little better with worldbuilding overall in this book, though there’s still the feeling that there’s so much she isn’t covering beyond the Bardic system. Her world feels so empty most of the time, full of no one but Bards and enemies.

The series as a whole is very female-centric, and this one in particular is full of choice and empowerment and all that jazz. Personally I found Maerad’s struggle in the Winter King’s domain too much; her actual struggle to escape was fine, but the other bit that Croggon wants to get into, well, that was developed far too quickly and resolved far too quickly to seem like anything more than another character obstacle for Maerad to overcome.

I feel like there’s so much here in the book that I would love if it was revealed or developed in a different way. If I liked Maerad more, I might enjoy the books more, but she’s too…something…for me. I can’t really put my finger on what it is about her that I don’t care for. It’s like she’s too timid, but also too fierce, and I still don’t understand the magic enough to understand why she’s so powerful. I also don’t like the clumsy way Croggon is working in all of the “Fated One” stuff.

If I remember correctly, the next book takes place from the point of view of Hem, which may or may not be a nice change from two books of Maerad. I don’t usually like viewpoint changes, though, so I don’t know if it will matter for me. I’m two books in, so I think I will finish the series, but The Riddle didn’t do much to recommend the rest of the books to me.

Recommended Age Range: 12+

Warnings: None.

Genre: Young Adult, Fantasy

You can buy this book here: https://amzn.to/2M7uAcv