House of Many Ways, by Diana Wynne Jones, was published in 2008 by Greenwillow. Fun fact: it’s marketed as the sequel to Howl’s Moving Castle, but really it’s a sequel to Castle in the Air (the true sequel to Howl’s Moving Castle).
Charmain Baker is in over her head. Looking after Great-Uncle Williams’ tiny cottage while he’s ill should have been easy. But Great-Uncle William is better known as the Royal Wizard Norland, and his house bends space and time. Its single door leads to any number of places—the bedrooms, the kitchen, the caves under the mountains, the past, and the Royal Mansion, to name just a few. By opening that door, Charmain has become responsible for not only the house, but for an extremely magical stray dog, a muddled young apprentice wizards, and a box of the king’s most treasured documents. She has encountered a terrifying beast called a Lubbock, irritated a clan of small blue creatures, and wound up smack in the middle of an urgent search. The king and his daughter are desperate to find the lost, fabled Elfgift—so desperate that they’ve even called in an intimidating sorceress named Sophie to help. And where Sophie is, can the Wizard Howl and fire demon Calcifer be far behind? Of course, with that magical family involved, there’s bound to be chaos—and unexpected revelations. No one will be more surprised than Charmain by what Howl and Sophie discover.
House of Many Ways is, in my opinion, more fun than Castle in the Air, but sacrifices some plot intricacies and worldbuilding in the process. The plot is just one step shy of being fully developed; some revelations feel too fast and too out-of-nowhere to feel like a tightly-crafted plot. I felt it a bit strange and contrived that a lot of the conflict revolved around one solitary creature that was revealed to have his fingers in many of the character’s pies, but I suppose for a short fantasy novel for middle graders it’s an acceptable plot to use.
I do love Howl, though, and he’s in top form for this book. Sophie, however, is nagging and irritated at Howl every time we see her, so that’s a disappointment. Yes, I do realize that she spends most of her time in Howl’s Moving Castle doing that, but we’re in her head then and we get to see other “faces” of Sophie at the same time. In House, there’s only the one and it’s disappointing to see Sophie reduced to a “Howl! Stop doing that!” broken record.
Charmain is also a decent protagonist and I like that she’s the lazy sort who has some flaws to overcome. It gives her something else to do besides “figure out the mystery” and it’s fun to see her and Peter struggle to figure out the house’s magic.
House of Many Ways is still nowhere near as good as Howl’s Moving Castle, and though it’s a fun, decently-developed book, it nowhere reaches the height of intricacy and development that earlier Jones’ books have. I felt that some things came a bit out of nowhere and I was sad to see some great characters sidelined to one-dimensional sidekicks. The problems I had with the plot are probably why I prefer her older books to her newer ones, actually. But in any case, House of Many Ways is a decent sequel to Howl’s Moving Castle, as was Castle in the Air before it. The only real problem with it is that it’s not nearly as good.
Recommended Age Range: 12+
Genre: Fantasy, Middle Grade
Charmain jumped to her feet and smiled terrifically, so broadly and welcomingly that she thought she might have sprained her face. “Oh, hallo!” she said. “I didn’t hear the door.”
“You never do,” said Aunt Sempronia.
Mrs. Baker peered at Charmain, full of anxiety. “Are you all right, my love? Quite all right? Why haven’t you put your hair up properly?”
“I like it like this,” Charmain said, shuffling across so that she was between the two ladies and the kitchen door. ‘Don’t you think it suits me, Aunt Sempronia?”
Aunt Sempronia leaned on her parasol and looked at her judiciously. “Yes,” she said. “It does. It makes you look younger and plumper. Is that how you want to look?”
“Yes, it is,” Charmain said defiantly.
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