Alcatraz Smedry has successfully defeated the army of Evil Librarians and saved the kingdom of Mokia. Too bad he managed to break the Smedry Talents in the process. Even worse, his father is trying to enact a scheme that could ruin the world, and his friend, Bastille, is in a coma. To revive her, Alcatraz must infiltrate the Highbrary–known as The Library of Congress to Hushlanders–the seat of Evil Librarian power. Without his Talent to draw upon, can Alcatraz figure out a way to save Bastille and defeat the Evil Librarians once and for all?
It was a little bit strange starting off this book because the format of it was so different. Tor completely revamped the series, giving them much better cover art as well as illustrations, and the style fits the books really well—but the change was still jarring to me.
However, once I got used to it, I was able to enjoy all the usual Alcatraz nonsense. The footnotes were hilarious, especially the detailed list of deaths he never wants to die, and the book itself takes a drastic swing towards the dark as Alcatraz recounts his final tale. The change in atmosphere is abrupt, as the book is much more of a downer story than the first four, but I thought the bleak nature of it balanced well with the humor.
It’s actually quite hard to fully talk about this book, as the ending is quite surprising and saying too much would be a spoiler. It might be the best Alcatraz book in terms of mechanics (meaning it’s less formulaic), and Sanderson really upends and even makes fun of the prior books and what goes on in them. I appreciate authors who deviate from formulas, especially those who are willing to poke fun at what they wrote. And the illustrations really help the overall “serious-but-not-so-serious” nature of the books themselves—they are a great addition to the series.
The Dark Talent takes the series into a darker, bleaker place, but is almost arguably the better for it. The new look to the series adds to the overall atmosphere, and this novel in particular is the perfect balance of funny and serious. Sanderson is particularly devious in his plot mechanics in this book, though saying more would be spoiler-ific. This may be my favorite book in the Alcatraz series.