The Castle Behind Thorns, by Merrie Haskell, was published in 2014 by Katherine Tegen.
When Sand wakes up alone in a long-abandoned castle, he has no idea how he got there. The stories all said the place was ruined by an earthquake, and Sand did not expect to find everything inside torn in half or smashed to bits. Nothing lives here and nothing grows, except the vicious, thorny bramble that holds Sand prisoner. Why wasn’t this in the stories? To survive, Sand does what he knows best—he fires up the castle’s forge to mend what he needs. But the things he fixes work somehow better than they ought to. Is there magic in the mending? Or have the saints who once guarded this place returned? When Sand finds the castle’s lost heir, Perrotte, they begin to untwine the dark secrets that caused the destruction. Putting together the pieces—of stone and iron, and of a broken life—is harder than Sand ever imagined, but it’s the only way to regain their freedom.
The Castle Behind Thorns is a unique reinvention of the Sleeping Beauty fairytale (although it’s not marketed as such, it’s got Sleeping Beauty written all over it), where Sleeping Beauty wakes up not because of a kiss but because someone is fixing everything that was broken in the abandoned castle. I like adaptations of fairy tales that place the fairy tale somewhere in history, and this particular world is closely tied to the religion and the politics of medieval France.
The message of forgiveness laid out in the novel is good, although laid on a little thick by the end. The moralizing message is a bit much for an adult reader, but it might be just the thing a younger reader might need to hear. Haskell seems to have a much heavier hand here than she did in either Handbook for Dragon Slayers or The Princess Curse, so I’m not quite sure if she had a different audience in mind or if she simply thought a less subtle application of her point was needed because of the world she had built. It’s a good message of forgiveness, but it perhaps could have been communicated in a way that was less moralizing and thus less likely to turn people off from it (though, again, a younger audience may be more receptive).
However, I didn’t enjoy The Castle Behind Thorns as much as I enjoyed Haskell’s other works, and I’m not quite sure why. The lack of subtlety may have been one reason. Ultimately, though, I just didn’t find much about the book incredibly interesting. I’m not all that fond of Sleeping Beauty and Haskell wasn’t so unique in the telling of it as to make me really involved in the world and the plot. The premise was good and so was the reimagining of the fairytale as a whole, but the book wasn’t strong as a whole. I’ve read better versions of Sleeping Beauty and better books by Haskell. The Castle Behind Thorns is good, but not great; interesting, but not enticing; imaginative, but not groundbreaking. I’d much rather read The Princess Curse again.