Wolf Queen solves lots of the mysteries that were set up over Wolf Tower and Wolf Star and sends Claidi and Argul off on a happy ending, finishing up the Claidi Journals on a sweet, sentimental note—or, at least, that’s what the book wants me to think.
See, this isn’t actually the last Claidi book, though
it’s the last one I read. Lee wrote one more, though apparently wasn’t planning
to, based on the blurb for this book. I’m excited to read it to see what
happens, as that one will truly be a “blind” read for me. This book, Wolf Queen, wasn’t quite as jaw-dropping
as it should have been, since I’ve read it before and knew the big twist
already. However, it was nice to read it to see all the hints Lee dropped
Claidi’s voice is as delightful and unique as always,
and even though this book introduces some truly outrageous (in a good way, I
think) fantasy/sci-fi elements, her voice made everything somehow more
plausible and realistic. I wish it was explained more as to how, exactly, a lot
of the magic/technology works—we’ve got clockwork people, which I understand,
but then all there are also powerful items that operate on a “don’t pay too
much attention to the mechanics” level. Ustareth’s ring is one of those, of
course, and it did bother me a bit that there was no explanation as to how it
can do half of the things it did.
I wish each book didn’t hinge quite so much on “Claidi
gets taken places,” but, again, Claidi’s voice is so delightful that she could
probably stay in one room the whole book and it would still be interesting. These
books lack a bit of something that I
can’t really explain—they’re interesting, and I like them a lot, but they don’t
grip me like some books do. However, Claidi and Argul are adorable, and the
draw of the books is Claidi’s voice, not complexity of plot or stellar
worldbuilding. I can deal with that—and I’m looking forward to exploring Wolf Wing, the book I never read, and
seeing if Lee can surprise me.
The thing that stands out the most to me in The Claidi Journals is Claidi’s voice. The parentheses, the random asides, the subtle sarcasm and wit, all combine to make Claidi distinctive, unique, and memorable as a protagonist. And Lee is so good at following old tropes, and yet somehow making them new.
For example, in Wolf
Star, Claidi is kidnapped and taken to the mysterious Rise and must figure
out a way to escape. Although she never actively tries to run, her reasons for
why she doesn’t are relatable and make her more realistic as a protagonist.
Then, as she gets to know Venn and is intrigued by the mysteries of the moving
rooms and the clockwork servants, her curiosity is what makes her stay. And I
love the contrasts set up in this book: the contrast between Venn and Argul,
between Ustareth and Zeera, between Wolf Tower and the Rise, and even between
Claidi-before and Claidi-after.
Star is strange, and not much happens—it’s much more of a
character-focused novel, intent on exploring a particular backstory, than an
action-packed novel. There’s less excitement and movement than the first book,
yet this one has excellent pacing and worldbuilding to make up for it. The one
thing that jarred me was the revelation of Argul’s age—he doesn’t seem, and has
never seemed, like an eighteen-year-old. A strange thing to complain about, but
it caused a disconnect for me.
I can see not everyone liking these books. Wolf Star in particular seems framed for
a very specific audience; it’s a strange book in its flow and in its story. I
loved it, but I enjoy books where the protagonist is witty, but not ridiculous;
brave, but not aggressive; faltering, but not bemoaning. Claidi is all of that
Wolf Tower, by Tanith Lee, was published in 1998 by Dutton.
I first read Tanith Lee’s Claidi Journals around ten years ago. Though my memories of the last three books have faded, except for the odd bits and pieces (including what’s probably an important plot point of the second book which has stuck with me), the first book has always been the one I remembered the most. Perhaps it’s because it’s one of the first books I read with a proper twist ending. Or maybe the fantasy was strong enough, memorable enough, to stay with me.
That being said, I did forget quite a bit. Claidi’s voice, for one. I love her character: brave, yearning for adventure and freedom, yet at times doubtful, hesitant, unsure. I love my characters with a dash of uncertainty—it makes them feel more realistic. And while for most of the book she’s more of an observer, soaking in all the new sights and sounds, she never feels passive. And towards the end, she becomes pretty fierce.
I also forgot various sights, sounds, and plot points. Though I’m not a huge fan of the world—big, empty, waste-y, with scattered villages and cities with different governing systems and no sense of scale—I did enjoy seeing it as Claidi saw it—as she is experiencing it for the first time just as we, the readers, are.
I don’t want to spoil too much, but I remember the plot twist blowing my teenage mind a bit when I read it. Now, of course, I spotted it much more easily and was able to enjoy the lead-up more. I also really like the idea of Claidi being torn between the dazzling stranger who rescued her and the stranger who takes his time to get to know her, as it seems pretty close to human nature: we feel indebted to the people who rescue us (I know Claidi rescued him, technically, but I don’t really mean “rescue” in the “saving” sense. More in the “opened up the world” sense), but we come across people who are more genuine and heartfelt, we feel torn because of our sense of loyalty to the first set of people.
Anyway, I enjoyed re-reading Wolf Tower very much. I’m looking forward to seeing how much of the other three books I actually remember, and how many plot points I know, and how surprised I will be if I don’t know them.