Magic is fading…and the ways of Man are conspiring to drive all the Old Ones to the West, beyond the ken of humankind. The ancient groves are being destroyed, and with their loss the land will lose an essential core if nothing is done. The prophecies that were foretold so long ago say that there is a way to prevent this horror and it is the Sevenwaters clan that the spirits of Eire look to for salvation. They are a family bound into the very lifeblood of the land…and their promise to preserve the magic has been the cause of great joy—and sorrow—to them. For in truth, the ways of prophecies are never easy…and there are those who would use power for their own ends. It is left at last to Fainne, daughter of Niamh (the sister that was lost to the clan so long ago), to solve the riddles of power among the gods. A shy child of a reclusive sorcerer, she finds that her way is hard. For she is the granddaughter of the wicked sorceress Oonagh, who has emerged from the shadows of power and seeks to destroy all that the Sevenwaters have striven for…and who will use Fainne most cruelly to accomplish this fate. Will Fainne be strong enough to battle this evil and save those she has come to love?
Child of the Prophecy is a satisfying end to the Sevenwaters trilogy, though perhaps not as enthralling or lovely as the first two. Everything is sorted out; characters from the previous two books return and have decent roles to play; we get resolution in many different quarters. Fainne is a fine protagonist; her inner turmoil gets a little hard to bear at times but at least it’s understandable considering her situation.
I think where the book fell the most flat for me was the ending, which was an “arena battle” (two or more characters face off and battle it out while the crowd looks on and gasps) and dragged on a little too long. It started to feel too melodramatic and cheesy after a while; it’s hard to keep tension like that going without the scene starting to feel like a script. I mean, it was satisfying in that it neatly resolved the book and all the plot threads, but it felt a little clumsy at times.
Another thing that I felt was a step down from the previous two books was the romance. I adored Liadan and Bran in Son of the Shadows (and they steal the show again here), so Fianne’s romantic arc was a little disappointing. I don’t really have anything against her love interest as a character, except that he’s much more underdeveloped than either Bran or Red were. To be honest, I thought Marillier did a better job of explaining Eamonn’s feelings than Darragh’s—not that I wanted Fainne with Eamonn, but I understood Eamonn as a character better than slightly-boring Darragh. I’m also really sick of characters denying that they like someone when they clearly do, which is what Fainne did the entire novel.
I know that there are three more books after this one, but Child of the Prophecy wrapped up the plotline of the first three books neatly. I didn’t think it was as good as Daughter of the Forest or Son of the Shadows, but it was still engaging, compelling, and satisfying despite its flaws. It’s hard for me to find adult fantasy that I like, but Marillier has crafted a beautiful world and her talents as a writer are clearly seen in her works. I may or may not pick up the other Sevenwaters books, but I’ve enjoyed the time I spent reading the first three.
I stood in the doorway, watching, as the old woman took three steps into my father’s secret room.
“He won’t be happy,” I said tightly.
“He won’t know,” she replied coolly. “Ciarán’s gone. You won’t see him again until we’re quite finished here, child; not until next summer nears its end. It’s just not possible for him to stay, not with me here. No place can hold the two of us. It’s better this way. You and I have a great deal of work to do, Fainne.”
I stood frozen, feeling the shock of what she had told me like a wound to the heart. How could Father do this? Where had he gone? How could he leave me alone with this dreadful old woman?
It is from [Sorcha’s] sacrifice that her brothers were brought home to Sevenwaters, and since then her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and even those who did were all more—and less—than they were before the change. It is left to Sorcha’s daughter, Liadan, to take up the task that the Sevenwaters clan is destined to fulfill. Beloved child, dutiful daughter, she embarks on a journey that opens her eyes to the wonders of the world around her…and shows her just how hard-won was the peace that she has known all her life. Liadan will need all her courage to help save her family, for there are forces far darker than anyone could have guessed and ancient powers conspiring to destroy this family’s peace and their world. And she will need all her strength to stand up to those she loves best, for in the finding of her own true love, Liadan’s course may doom them all…or be their salvation.
Son of the Shadows is almost as enthralling as Daughter of the Forest, marred only by the amount of plot convenience Marillier puts in. The story is gripping, the characters, especially Liadan and Bran, are memorable and well-developed, and the world is mystical and beautiful.
Son of the Shadows is not a fairy-tale adaptation, but rather a continuation of Marillier’s original world from the first book, expanding on the plot threads and conflicts and characters. I like the idea of setting up a world through a fairy-tale adaptation and then expanding on it with an original story later on. Though the plot is self-contained, there are definitely some more threads that will be picked up, presumably, in the third book, as Marillier has been setting up some sort of confrontation between all the different forces at work since the first book (though it’s much more prominent in this one).
I do think the title is a little misleading or misnamed. The person it seems to be referring to only shows up twice, and while the second time is rather a big reveal, I’m not sure if it warrants naming a whole book after him. Then again, there could possibly be multiple “sons of the shadows,” so maybe that’s what Marillier was going for.
The Sevenwaters books have been gripping and wonderful so far. I thought that Son of the Shadows had a few too many plot conveniences, but at the same time, Marillier did make them all work, somehow, though it’s still a little eyebrow-raising. Adult fantasy is always a hard genre for me to just pick up and start reading, so I’m glad that Marillier’s works have been a stand-out in that regard. I’m looking forward to reading the next book!
Recommended Age Range: 16+
Warnings: Violence, death, sexual situations, rape.
Genre: Fantasy, Fairy Tale
“You are strong, Liadan. I cannot tell you if and when you may be called to use this gift. Perhaps never. It’s best you know, at least. He would be able to tell you more.”
“He? You mean—Finbar?” Now we were on fragile ground indeed.
Mother turned to look out of the window. “It grew again so beautifully,” she said. “The little oak Red planted for me that will one day be tall and noble, the lilac, the healing herbs. The Sorceress could not destroy us. Together, we were too strong for her.” She looked back at me. “The magic is powerful in you, Liadan.”
Lovely young Sorcha is the seventh child and only daughter of Lord Colum of Sevenwaters. Bereft of a mother, she is comforted by the brothers who love and protect her: Liam, the natural leader; Diarmid, with his passion for adventure; the twins, Cormack and Conor, each with a different calling; the young, compassionate Padriac…and her other heart, rebellious Finbar, grown old before his time by his gift of the Sight. Sorcha is the light in their lives, and in her young life she has known only peace and happiness. But that joy is destroyed when her father is bewitched by the woman who has won his hear and her brothers are bound by a spell that only Sorcha can lift. To reclaim the lives of her brothers, Sorcha leaves the only safe place she has ever known and embarks on a journey filled with pain, loss, and terror. When she is kidnapped by enemy forces and taken to a foreign land, it seems that there will be no way for Sorcha to break the spell that condemns all that she loves. But magic knows now boundaries, and Sorcha must choose between the life she has always known, promises made…and a love that comes only once. And in that choice, perhaps shattering her world.
Daughter of the Forest is a stunning retelling of “The Wild Swans” fairytale. Marillier beautifully combines the fairytale with a Celtic setting, blending history with fantasy seamlessly. While the novel starts off slowly, once the initial set-up to the fairytale begins, the book flies by as the reader is swept up into Sorcha’s journey.
And what a journey it is. Sorcha is a wonderful protagonist, quietly strong and steadfast in the face of seemingly insurmountable obstacles. I love female protagonists of this sort, so it helped me connect with Sorcha even more. Marillier has perfectly crafted the circumstances and the effects; everything Sorcha does is explainable and believable in light of the world and the plot and what happens to her is also so, even the terrible parts. Fair warning, there is quite a violent, difficult scene to read at the beginning of Sorcha’s quest to free her brothers. It’s not graphically detailed, but it’s not glossed over at all—so, in a way, it’s much more graphically detailed than you might expect. Sometimes authors use things like this as a device or as another obstacle the protagonist must climb, but I feel like Marillier included it more for worldbuilding’s sake, to depict just how cruel the world can be at times. Or perhaps it’s to show how deep Sorcha’s bond with Red became, or perhaps it’s both. In any case, it’s handled deftly by Marillier.
That leads me to the thing I adored most about this book, which was Sorcha and Red. I think I’ve mentioned before that I tend to love the “agonizing” types of romance more than most other types, and Daughter of the Forest is full of agonizing—from Red, from Sorcha, from the people around them who see what’s happening and feel powerless to do anything about it. The relationship is slowly and beautifully developed, to the point where I cried at a particular part of the book that is poignant and beautiful and made me not want to put the book down even though I had to go to bed. And the romance ends perfectly, too, in a wonderfully satisfying way—usually I feel disappointed at the end of a book, or at the moment the love interests get together. But not in this book. In this book, I felt nothing but satisfaction.
I thought I loved Marillier already from reading her previous books, like Shadowfell and Wildwood Dancing, but Daughter of the Forest made me adore her. It’s a fantastic fairy tale adaptation, but it’s also a fantastic story, filled with love, loss, sorrow, pain, hope, and all the other things that make a particularly good book stand out from the rest. There are some hard things to read in this book, but there are many more beautiful things, and, like Sorcha, the reader comes to the end with a remembrance of the pain but with the knowledge that things are, as much as they can be in that world, going towards “happily ever after.”
Recommended Age Range: 16+
Warnings: Violence, death, rape.
Genre: Fantasy, Fairy Tale
“Listen to me, Sorcha. No matter where we are, or what we do, the seven of us will never be truly separate. We’ll always be the same for one another. But we are growing up; and grown up people do marry, and move away, and let other people into their lives. Even you will do that one day.”
“Me!” I was aghast.
“You must know that.” He moved closer and took my hand, and I noticed that his were large and rough, a man’s hands. He was seventeen now. “Father already plans a marriage for you, in a few years’ time, and doubtless then you will go away to live with your husband’s family. We will not all remain here.”
“Go away? I would never go away from Sevenwaters! This is home! I would die before I’d move away!”