Series Week VI: Wrap-Up Of The Chronicles of Chrestomanci

Series Rating: 4/5

Diana Wynne Jones has created a wonderful world (technically worlds) in the Chronicles of Chrestomanci, and she utilizes it in different, fresh ways for each book that just give the whole series such great charm. I have yet to meet a fantasy author like Jones, with her ability to create complex plots, unique magic, and interesting worlds in each book she writes. She can also be hysterically funny if she so chooses.

Besides worldbuilding, plots, and magic, Jones also has the knack for making remarkable, memorable characters. As much as I don’t like it, Witch Week has quite a cast of characters, and they don’t blend together; they all stand out as separate and unique, which sometimes can be quite a feat with “ensemble” characters.

Charmed Life, next to Howl’s Moving Castle, is THE Jones book for me. The rest of the series is good, but Charmed Life was, I believe, the first Jones book I read and it is near and dear to my heart because it introduced me to the world, and to Jones, and to many other books that I love, all of which I will most likely review on this blog eventually because I enjoy them so much.

Here are the books, ordered from my favorite to my least favorite:

1.)    Charmed Life

2.)    Conrad’s Fate

3.)    The Magicians of Caprona

4.)    The Pinhoe Egg

5.)    The Lives of Christopher Chant

6.)    Witch Week

I’ll be back to my regular schedule with Heir Apparent by Vivian Vande Velde tomorrow!

Series Week VI: The Pinhoe Egg

The Pinhoe Egg is the sixth (sixth chronologically) and last book in the Chronicles of Chrestomanci by Diana Wynne Jones. It was published in 2006 by Greenwillow.


“Cat Chant and Marianne Pinhoe have discovered something exciting–something truly precious, very strange, and valuable. An egg.
An egg that has been hidden away in an attic for who-knows-how-many years. An egg protected by some strong “Don’t Notice” spells. An egg that Marianne gives to Cat, even though he lives at nearby Chrestomanci Castle. Chrestomanci himself, the strongest enchanter in the world, is sure to be interested in the egg—and interference from the Big Man is the last thing Marianne’s family of secret rogue witches wants.
But how much longer can the Pinhoes keep their secrets? Gammer, the leader of the clan, has gone mad, a powerful bad luck spell is wreaking havoc, and there’s an unexplained plague of frogs. Not to mention the mysterious barrier Cat finds in the forest.
Marianne and Cat may be the only two who can set things right. But first Marianne must accept her own powerful magic, and Cat must uncover the secrets behind the mystical Pinhoe Egg.”


What I Liked:

Cat’s back! I’ve always liked Cat best, probably because Charmed Life is far and away my favorite Chrestomanci book, so it was very nice to be back with him. Marianne’s viewpoint is nice as well, and it served to explain the Pinhoe side of things a bit more clearly, although the split between the viewpoints can be a bit jarring since they don’t seem to be connected at all.

Cover Art

Millie is great in this book. She spends a lot more time in the spotlight than she does in any other book (perhaps even more than Chrestomanci). The introduction of Jason and Irene was also nice, although I wish they had been introduced earlier, or maybe more time was spent on them. They seemed like the sort of one-dimensional “nice” people that are thrown into the plot to shake things up for certain characters. They were good characters, but I wish there was more depth to them.

I wonder if Jones is purposefully modeling Klartch off of Dark Lord of Derkholm (another of her books). Klartch is very similar to Kit and the others from that book. Also, I love Klartch. And Syracuse.

I’m starting to wonder if Jones was purposefully trying to hint at a possible Cat/Marianne relationship in the future. I mean, really…it’s too similar to the Millie situation with Christopher.

What I Didn’t Like:

The viewpoints switch from anecdotal village life (Marianne) to magical problems (Cat) with no seeming connection at all. The connection is revealed later on, but in the beginning it can be very jumpy.

I wish that dwimmer had been brought up a little earlier…it’s brought up very suddenly with almost no explanation and no prior experience of it. Granted, this book is written thirty years (!) after Charmed Life.

Fan art!

At some parts of this book I just had to grit my teeth and get through it. Not because anything was particularly bad, but because I didn’t much like what Jones was inferring about the Pinhoes and their situation.

Rating: 4/5

Recommended Age Range: 12+

Warnings: None.

Genre: Fantasy, Middle Grade


No!” said Julia. “I’m sick of all horses.”

“Mr. Vastion, then,” said Chrestomanci.

Cat could not bear to think of anything so beautiful and so alive as Syracuse being turned into dog meat. “Can I have him?” he said.

Everyone looked at him in surprise, including Syracuse.

“You want the vet?” Chrestomanci said.

“No, Syracuse,” said Cat.

“On your head be it, then.” Chrestomanci shrugged and turned to help Julia down off the roof.

~Jones 383

It could be an egg, Cat supposed. He turned the thing round under what little light there was. It was possibly more pointed at one end. Its smooth, shiny surface was mauvish and speckled with darker mauve. It was not particularly lovely—just strange. And he knew he had to have it.

“Can—can I have it?” he said.

Marianne was doubtful. “Well, it’s probably Gammer’s,” she said. “Not mine to give.” But if everyone hadn’t forgotten the attics, she thought, it would have been cleared out with all the other things up here and probably thrown away. And the house was Dad’s really, together with all the things left in it. In a way, Marianne had a perfect right to give some of the junk away, since nobody else was going to want it. “Oh, go on, take it,” she said. “You’re the only person who’s ever been interested in the thing.”

Thanks!” Cat said. Marianne could have sworn that his face literally glowed, as if a strong light had been shone on it. For a second his hair looked the same gold as the Christmas bells.

~Jones 445

Overall Review:

The Pinhoe Egg manages to capture some of the charm that makes Charmed Life amazing and so brings a certain level of nostalgia to the reading. The new (main) characters that were introduced were wonderful, although the viewpoint switch was sometimes jarring and some of the characters were a bit one-dimensional and generic. Cat’s progress can be clearly seen, and the ending is as fabulous as it could be while knowing that no more books will come.

You can buy this book here: The Pinhoe Egg

Coming Up Next: The wrap-up, coming (hopefully) Monday!

Series Week VI: Conrad’s Fate

Conrad’s Fate is the fifth book (second chronologically) in the Chronicles of Chrestomanci by Diana Wynne Jones. It was published in 2005 by Greenwillow.

General Spoilers.


“Someone at Stallery Mansion is changing the world. At first, only small details, but the changes get bigger and bigger. It’s up to Conrad, a twelve-year-old with terrible karma who’s just joined the mansion’s staff, to find out who is behind it. But he’s not the only one snooping around. His fellow servant-in-training, Christopher Chant, is charming, confident, and from another world, with a mission of his own — rescuing his friend, lost in an alternate Stallery Mansion. Can they save the day before Conrad’s awful fate catches up with them?”


What I Liked:

I absolutely love the domestic servant aspect of this book. I kept thinking of Downton Abbey as I was reading it. This book isn’t so much about magic as it is about running a household. It’s wonderful.

Also, Christopher-before-he-is-Chrestomanci is back! And now he’s got the fancy clothes. Millie’s back, too, and the ending is especially wonderful if you like them together. I thought it was hilarious when Millie was grousing about Christopher, since I as the reader knows what goes on with them. Also, he doesn’t seem to have adopted the vague look yet, since he doesn’t use it at all here. Perhaps he was too busy looking for Millie. Or perhaps it’s something he perfects as he gets older.

Cover Art

I found Conrad’s mother hilarious. I think Jones was poking fun at feminism a little bit through her character, but in a very kind, same-side type of way. Or perhaps a parody type of way.

(Spoilers below!)

I think it’s interesting how there was no clear “good guy” in this book, not counting the Chrestomanci Team™. Sure, Mr. Amos is the primary antagonist, I guess, as well as Uncle Alfred, but Conrad’s mother and the fake Count are also not that great, either. Sure, Conrad’s mother was forced out, but she didn’t treat Conrad and Anthea very well, so she’s not an antagonist, but she’s not really a protagonist, either. The only clear protagonist is Conrad, and maybe Anthea. And Lady Mary was just random.

(End spoilers)

What I Didn’t Like:

Jones always tends to wrap up things very quickly, with as little explanation as possible. The ending is a bit fast, and I had to reread the revelations a couple of times before I completely understood everything.

Fan art

Rating: 5/5

Recommended Age Range: 12+

Warnings: None.

Genre: Fantasy, Middle Grade


“So neither of you have the sort of experience I mentioned,” Mr. Amos said. “Good. I like my trainees ignorant. It means they don’t come to Stallery with all the wrong habits. Next big question. How do you both feel about serving as a valet, a gentleman’s gentleman? This means dressing your gentleman, caring for his clothes, looking to his comfort, running errands if he asks it, even cooking for him in certain cases, and generally knowing the gentleman’s secrets—but never, ever breathing a word of those secrets to another soul. Can you do all that?”

Christopher looked a little stunned by this. I remembered how Christopher, so oddly, had not seemed to know why he was here, and I realized that this was my best chance ever of making sure I got this job. “I’d like doing that a lot,” I said.

“Me, too,” Christopher said promptly. “Looking after clothes and keeping secrets are the two things I do best, Mr. Amos.” I began to think I hated him.

~Jones 61

The door led out onto a small wooden balcony thing with a low, flimsy-looking rail around it. Almost at our feet, a square hole led into a crazy old wooden stairway down the side of what seemed to be a tall wooden tower. Our heads both bent to look through the hole. And we could see the stairway zigzagging giddily away, down and down, getting smaller and smaller, outside what was definitely the tallest and most unsafe-looking wooden building I had ever seen. It could have been a lighthouse—except that it had slants of roof sticking out every so often, like a pagoda. It swayed and creaked and thrummed in the wind. Far, far below, something seemed to be channeling the gale into a melancholy howling.

~Jones 149-150

Overall Review:

Conrad’s Fate is a book about domestic servitude, and only marginally about magic. Christopher is still a little annoying, but he’s more grown up and is a much better character (and person) because of it. Conrad is clueless, but a good character point-of-view despite that. The ending epilogue is especially sweet. One of my favorites from the Chronicles.

You can buy this book here: Conrad’s Fate

Coming Up Next: The Pinhoe Egg

Series Week VI: The Magicians of Caprona

The Magicians of Caprona is the fourth book (fifth chronologically) in the Chronicles of Chrestomanci by Diana Wynne Jones. It was published in 1980 by Greenwillow.


“Tonino is the only person in the famous Montana household who wasn’t born with an instinct for creating spells, but he has other gifts. His ability to communicate with cats just might help defend the city of Caprona against a mysterious enchanter — but only if Tonino can learn to cooperate with a girl from the hated Petrocchi family of spell-makers.”


What I Liked:

It’s Romeo & Juliet! Except better, because it doesn’t end in death! I liked the fact that it was three pairs that ended up uniting together against the Big Bad, rather than just the obvious one. Tonino and Angelica, obviously, and then Rosa and Marco, and then, finally, Renata and Paolo. I also enjoyed the fact that it was children who overcame the barriers first, rather than the adults, since children usually do in situations like this (adults are more bitter and are liable to hold onto past grudges for a longer amount of time).

I felt kind of sorry for the Duke, but he was also pathetic, and he knew it. He knew what was happening the entire time, essentially, and yet did nothing to stop it. I suppose he couldn’t, but still. At least he helped out at the end.

Cover Art

I wonder if Benvenuto is in any way, shape or form related to Throgmorten? They have very similar personalities. Perhaps Jones is trying to hint that there’s a Temple cat connection. Or maybe not.

I liked how the magic came through singing. Jones’ magic is always very hands-on; spells have to be made. This way, it’s easier to see who the powerful ones are—they don’t have to make spells or write them down on slips of paper to be able to use them. Although, maybe they’re written down so non-magic people can use them? In any case, the aspect of magic explored here was very neat.

The Punch & Judy scene is magnificent. I don’t know why. It just is.

What I Didn’t Like:

The ending was a little anticlimactic in regards to the “evil enchanter.” It came very abruptly and ended just as abruptly. I expected a bigger scene, I guess, although the Angel was the important part, I suppose.

I wish there had been a bit more elucidation on Tonino’s skill. Jones doesn’t mince words, and she explains things very briefly. But, perhaps there wasn’t more detail because Chrestomanci didn’t quite know what Tonino could do, himself.

Fan art. Left to right is baby Tonino, Rosa, Lucia, Paolo and Corinna. By gyldenstjerne.

Rating: 4/5

Recommended Age Range: 12+

Warnings: None.

Genre: Fantasy, Middle Grade


“No, boys, the Angel has not got the right words. The words you sing are a makeshift. Some people say that the glorious Angel took the words back to Heaven after the White Devil was vanquished, leaving only the tune. Or the words have been lost since. But everyone knows that Caprona cannot be truly great until the words are found.”

“In other words,” Uncle Umberto said irritably, “the Angel of Caprona is a spell like any other spell. And without the proper words, any spell is only at half force, even if it is of divine origin.”

~Jones 56

“And I haven’t got any filthy habits!” snapped Angelica.

“Yes you have. All the Petrocchis have,” said Tonino. “But I expect you don’t realize because they’re normal to you.”

“I like that!” Angelica picked up the broken tap, as if she had half a mind to throw it.

“You eat babies.”

“How dare you!” said Angelica. “You eat cowpats for pizzas, and you can smell the Casa Montana right on the Corso.”

“The Casa Petrocchi smells all down the Via Sant’ Angelo,” said Tonino, “and you can hear the flies buzzing from the New Bridge. You have babies like kittens and—”

“That’s a lie!” shrieked Angelica. “You just put that about because you don’t want people to know that the Montanas never get married properly!”

“Yes we do!” bawled Tonino. “It’s you who don’t!”

“I like that!” yelled Angelica. “I’ll have you know, my brother got married, in church, just after Christmas. So there!”
“I don’t believe you,” said Tonino. “And my sister’s going to get married in Spring, so—”

“I was a bridesmaid!” screamed Angelica.

~Jones 141-142, 149

Overall Review:

The Magicians of Caprona uses a different aspect of magic that we haven’t seen yet from the world of Chrestomanci. The Punch & Judy scene is creepy and terrifying (and wonderful), but is also a big moment for Tonino. I liked this quite a bit better than Witch Week, character-wise, but the ending left a little to desire.

You can buy this book here: The Magicians of Caprona

Coming Up Next: Conrad’s Fate

Series Week VI: Witch Week

Witch Week is the third book (fourth chronologically) in the Chronicles of Chrestomanci by Diana Wynne Jones. It was published in 1982 by Greenwillow.



“Someone in 6B is a witch. And, in the alternate reality described in Diana Wynne Jones’s Witch Week, that’s not at all a good thing to be. Jones plunks her readers directly into the life of Larwood House, a school in a present-day England that’s a lot like the world we know, except for one major difference: witches are everywhere, and they are ruthlessly hunted by inquisitors. With witty, erudite writing, Jones tells of the adventures of the class of 6B as they set about to discover who among them is a witch. Clearly it’s not the popular Simon or the perfect Theresa. Could it be fat Nan or sluggish Charles? Mysterious Nirupam or shifty-eyed Brian?”


What I Liked:

Witch Week is perhaps my least favorite book in the Chronicles of Chrestomanci. That being said, I love Chrestomanci’s appearance in this book. His reprimands to the students who sought him out, and in fact, his entire dealings with them were spot-on and satisfying, if only because here, at last, is someone who can handle them. I love this passage: “[Chrestomanci] seemed astounded, and not vague at all. The room seemed to go very quiet and sinister and unloving” (Jones 480). When Chrestomanci is not vague, that is the time to pay attention to what he is saying or doing.

Cover Art

I also like how the problem was resolved. It was essentially turning a bad, destructive thing into a good thing. What previously could have torn apart the world fixed it, instead. And everything leading up to it was great, as well, especially Charles’s turn-around. And the last few sentences of the book were a great parallel to the beginning. I also found it hilarious that nearly everyone in the classroom was a witch. Essentially, I liked everything in the book after Chrestomanci showed up. I also liked seeing the school life, and Nan was probably my favorite, if I had to pick, although Nirupam is up there, too.

“The note said: SOMEONE IN THIS CLASS IS A WITCH” is the best way to start a book ever.

Also, I think Jones is hinting that Charles is the one who saved Brian’s mother.

What I Didn’t Like:

Ugh, the students. Especially Charles and Brian. Charles is okay, at first, but towards the end he’s just mean, and arrogant, and really, really stubborn. He’s ornery for the sake of being ornery. Brian is whiny and a bit arrogant, as well. I got sick of Charles, towards the end, and once Brian started playing a bigger role, I got sick of him, too.

The book has a good start, and a great end, but the middle really just drags a bit, and Charles gets more and more irritating with every viewpoint (and his attitude towards “Simon Says” is just awful). I started disliking him when Simon says “Drop dead” to Theresa and Charles thinks it’s a pity that the truth spell doesn’t work anymore. Really? Chrestomanci was right, you weren’t thinking, Charles.

Witch Week also lacks some of the humor and charm that I love about Jones’s works.

Fan art by monotogne

Rating: 3/5

Recommended Age Range: 12+

Warnings: None.

Genre: Fantasy, Middle Grade


As Nan levered loose the first greasy ring of potato, the urge to describe came upon her again. It was as if she was possessed. “Now the aim of this dish,” she said, “is to use up leftovers. You take old potatoes and soak them in washing-up water that has been used at least twice. The water must be thoroughly scummy.” It’s like the gift of tongues! She thought. Only in my case it’s the gift of foul-mouth. “Then you take a dirty old tin and rub it around with socks that have been worn for a fortnight. You fill this tin with alternate layers of scummy potatoes and catfood, mixed with anything else you happen to have. Old doughnuts and dead flies have been used in this case—”

~Jones 308-309

“Now the geography of Finland is very much affected by the last Ice Age. Simon, what happens in an Ice Age?”

Simon dragged his mind away from dreams of gold and glory. “Everything is very cold,” he said. A blast of cold air swept through the room, making everyone’s teeth chatter. “And goes on getting colder, I suppose,” Simon added unwisely. The air in the room swiftly became icy. 6B’s breath rolled out in steam. The windows misted over and froze, almost at once, into frosty patterns. Icicles began to grow under the radiators. Frost whitened the desks.

There was a chorus of shivers and groans, and Nirupam hissed, “Watch it!”

“I mean everything gets very hot,” Simon said hastily.

Before Mr. Crossley had time to wonder why he was shivering, the cold was replaced by tropical heat.

~Jones 403-404

Overall Review:

Witch Week is not my favorite Chrestomanci novel. In fact, it’s probably my least favorite. Everything after Chrestomanci shows up is great, but everything before that is a little tedious and hard to get through, especially when Charles gets more and more nasty (although the part where I disliked Charles the most is when Chrestomanci shows up). The ending almost makes up for it. Almost.

You can buy this book here: Witch Week

Coming Up Next: The Magicians of Caprona

Series Week VI: The Lives of Christopher Chant

The Lives of Christopher Chant is the second book (first chronologically) in the Chronicles of Chrestomanci by Diana Wynne Jones. It was published in 1988 by Greenwillow.


“Christopher often makes night-time trips to the Twelve Related Worlds. He thought there was nothing unusual about this until his Uncle Ralph hears of it and sends him on mysterious missions. One such mission reveals Christopher’s very special magic powers—gifted with nine lives, he is destined to become the next Chrestomanci, the greatest magician in the country. Christopher goes to study at the formidable Chrestomanci Castle, but even here he is not safe. Outside, the forces of evil are poised for attack and Christopher is losing his lives at an alarming rate. Can Christopher defeat his enemies alone, before his remaining lives run out?”


What I Liked:

Here’s the backstory to the Chrestomanci in Charmed Life! This book has the origin of his vague looks, the infamous “I took the roof off the house” story from Charmed Life, how he got to Chrestomanci Castle, and how he met Millie. It’s really interesting reading how they meet since you know that in Charmed Life they’re married.

Christopher has a lot of development in this book. He starts out as a little hard to like because of his attitude, but by the end he’s made several realizations and it really shows in his actions and attitudes towards other people. Speaking of the other people, I find it a little sad that they never show up again in the next books (unless I’ve forgotten something). The entire staff has been changed in Charmed Life, and so we don’t really know what happens to Tacroy and the rest. It’s a little sad, but inevitable, I suppose.

Cover Art

Millie is really interesting. Her character as a young girl and her character as an adult are really quite different. Or maybe that’s because we don’t actually see too much of her as an adult. She seems a lot more outspoken and forceful in this book. Her background is really interesting, too.

We don’t see Throgmorten again, either. Sad.

I wonder if it’s ever explained where Christopher got his taste for clothes (Maybe in Conrad’s Fate, the sequel)?

Wow, Christopher loses a lot of lives. In fact, he loses almost all of his lives in the span of, what, a month? He loses three right in a row in the Castle. And then for the next twenty-five years, he loses none, because he still has two in Charmed Life. That…pretty much explains his character development right there, honestly.

What I Didn’t Like:

Christopher is not nearly as endearing a protagonist as Cat is. He’s a bit reckless, a bit proud, and a bit uncaring at the beginning. He’s not that likeable. However, his development is fabulous.

Fan art (chirat)


“Who are you?” said a voice from the darkness. It sounded surprised and haughty. “You’re not supposed to be here.”

“Who are you?” Christopher said cautiously, wishing he could see something beside blue and green dazzle.

“I’m the Goddess of course,” said the voice. “The Living Asheth. What are you doing here? I’m not supposed to see anyone but priestesses until the Day of the Festival.”

“I only came to get a cat,” said Christopher. “I’ll go away when I have.”

“You’re not allowed to,” said the Goddess. “Cats are sacred to Asheth. Besides, if it’s Bethi you’re after, she’s mine, and she’s going to have kittens again.”

~Jones 316

Everything in the room went upwards except Christopher, the mirror, the tiepin, the tooth-brace and the money. Those slid to the floor as the table surged upwards, but were collected by the carpet which came billowing up after it. Christopher hastily stepped off the carpet and stood watching everything soar around him—all the clocks, several tables, chairs, rugs, pictures, vases, ornaments, and Dr. Pawson too. He and his armchair both went up, majestically, like a balloon, and bumped against the ceiling. The ceiling bellied upwards and the chandelier plastered itself sideways against it. From above came crashing, shrieks, and an immense airy grinding. Christopher could feel that the roof of the house had come off and was on its way to the sky, pursued by the attics. It was an incredible feeling.

~Jones 393

Rating: 4/5

Recommended Age Range: 12+

Warnings: None.

Genre: Fantasy, Middle Grade

Overall Review:

The Lives of Christopher Chant is not as good as Charmed Life, but it is great background and really goes in-depth into the other worlds that were introduced in the first book. Christopher has really great character development, and you would never expect how he meets Millie. The humor and such is still there, and there are some interesting moral dilemmas that take place. I feel a bit sad that most of the characters never appear again, though.

You can buy this book here: The Lives of Christopher Chant

Coming Up Next: Witch Week