A Light in the Storm: The Civil War Diary of Amelia Martin, by Karen Hesse, was published in 1999 by Scholastic.
A Light in the Storm is very reminiscent of Standing in the Light or All the Stars in the Sky—an interesting look at the historical time period, but overall seemingly unnecessary. It’s interesting to read about the conflict in Delaware, a slave state that didn’t join the Confederacy, and the way that conflict is mirrored in Amelia’s parents is well done, but this book doesn’t really deserve the title of “Civil War Diary,” in my opinion. It’s more about lighthouses than anything else. Of course, there is that north/south tension that exists, as well as some other issues (common-law marriages, abolitionists, runaway slaves, etc.) pertinent to that time, but I felt as if the epilogue taught me more about the Civil War than the actual diary did.
Sometimes it does feel as if these Dear America books are a little random in terms of setting and material. I really don’t think this story about a girl who helps with the upkeep of a lighthouse during the time of the Civil War is particularly inspiring or memorable. It does tell you a little bit about the attitudes in Delaware, which is perhaps what Scholastic and the author were trying to highlight, but all the same, A Light in the Storm feels like a particularly useless, unmemorable book in the Dear America series.
In addition, much like So Far From Home, the epilogue of this book is strange. Mostly because Hesse marries off the protagonist, but then has the husband go west while Amelia stays at home, never to see him again. Why? Is that supposed to be representative of reality? Or is that just to reiterate Amelia’s dedication to the lighthouse? Why not have the husband work side by side with her? What is even the point of an epilogue like that?
Anyway, A Light in the Storm details a little about the beginnings of the Civil War and the tension that tore the nation apart, especially in border states like Delaware, but as a story it fails to hold on to that historical setting and instead tells a jumbled tale of lighthouses, divorce, and vague conflict. It’s a book I forgot as soon as I finished reading, and it’s definitely not a standout in the series.
Out of the Dust, by Karen Hesse, was published in 1997 by Scholastic.
A terrible accident has transformed Billie Jo’s life, scarring her inside and out. Her mother is gone. Her father can’t talk about it. And the one thing that might make her feel better—playing the piano—is impossible with her wounded hands. To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma—and in the surprising landscape of her own heart.
I didn’t know going into Out of the Dust that it was written entirely in verse rather than prose, and I’m actually glad I didn’t know because I don’t particularly enjoy free-verse novels. However, Hesse does a really good job—I never thought the descriptions or details were sparse or vague and all of Billie Jo’s emotions and the things that happen to her come across in just the right way. And even though, towards the end of the novel, the culmination of Billie Jo’s emotions and decisions is a little abrupt, it’s still understandable why she does what she does.
My main complaint of free-verse novels is that they always feel so jarring and choppy. There never seems to be good enough transitions between the poems themselves so I feel like I’m constantly starting and stopping, starting and stopping. However, Hesse manages to mostly avoid this jerkiness, somehow. There are still poems that feel a little out of place, but for the most part they all function as a cohesive unit.
Out of the Dust is a unique novel, but its heartbreaking depiction of the Dust Bowl is in no way lessened because of its format. This is one of the more gut-wrenching Newbery’s I’ve read, and not just because of what happens to Billie Jo’s mother. I found it a little choppy in places but overall the book is engaging and, despite its sad content, also manages to end somewhat on a happy note. Definitely a book for more mature readers, but it does teach a lot about the Dust Bowl.