Rating books is much harder than it might seem. I’ve
struggled with it a bit recently, as I’ve felt that 3 is now becoming my
default, go-to, “lazy” rating. Or perhaps I’m being more critical of the books
I read, which is why 4s and 5s come so rarely now. I’ve also been hit with a
slew of books that have simply failed to grasp my entire attention. All of
these things combined have been making me wonder if I really should be rating
some books a 4 that I initially think 3.
Maybe I could solve this with a half point system, but
I started the blog with that and then got rid of it for simplicity’s sake.
Anyway, I’m saying all this because I initially thought of rating I, Juan de Pareja a 4 merely because I didn’t want to give it a 3. I mean, I gave Merci Suárez Changes Gears a 3, and I feel like I enjoyed this book more than Medina’s. But, after thinking about it, I realized that I really didn’t have any desire to read the book again or think about it anymore (big factors in my ratings of books). And when I was reading it, I was more interested in finishing the book so I could pick up the other book I wanted to read more. So, it’s a 3.
I did actually enjoy lots of things about the book, though. I loved the writing, for some reason, or perhaps it was simply a nice change after the simplicity of Merci Suárez’s. I thought the content was interesting, especially the historical aspect. It’s a bit of an obscure topic, but some of my favorite historical fiction novels have those sorts of topics. And even though Juan’s attitudes towards slavery are a bit…well, not progressive, Borton de Treviño does throw in some different views about it, as well as lots of cultural information in general. Plus, Las Meninas is one of my favorite paintings, so it was cool to see some of the backstory (real and imagined) of Diego Velasquez and the slave-turned-painter Juan de Pareja.