Ella Coach has one wish: revolution. Her mother died working in a sweatshop, and Ella wants every laborer in the blue kingdom to receive fairer treatment. But to make that happen, she’ll need some high-level support. Prince Dash Charming has one wish: evolution. The Charming Curse forced generations of Charming men to lie, cheat, and break hearts—but with the witch Envearia’s death, the curse has ended. Now Dash wants to be a better person, but he doesn’t know where to start. Serge can grant any wish—and has: As an executive fairy godfather, he’s catered to the wildest whims of spoiled brats from the richest, most entitled families in Blue. But now a new name has come up on his list, someone nobody’s ever heard of…Ella Coach. This is the story of three people who want something better, and who work together to change their worlds.
Grounded was one of my favorite adaptations of the Rapunzel fairytale I’ve read, so I was excited to read Morrison’s latest work, this time taking on Cinderella’s fairytale—or so I thought. Instead, what I got was a preachy, “all rich people are evil” narrative without the faintest trace of Cinderella except for the main character’s name.
I mean, it was a good cause Ella was yelling about for the entire book, but it was the complete over-the-top descriptions and the numerous speeches (literally) that made it feel more like a pamphlet on fair labor laws and trade than a fairytale retelling. It was also completely devoid of almost everything from the Cinderella fairytale, except for miniscule aspects such as her stepmother and stepsisters. I get that Morrison is trying to be original here, but why even bother masking this as a retelling of Cinderella when it’s not? It would have been better to introduce it as an original story set in Morrison’s fairytale world.
Also, I think I would have been a little more sympathetic towards Ella if she had stopped acting like only she knew what the laborers were going through and that only she stood for what’s Good and Right in the world (not helped by the author painting every rich person as selfish, cruel, and completely devoid of compassion). Luckily, at least a few of the characters point this out to her, and by the end of the book she’s slightly better in terms of her overall attitude.
So, Disenchanted, while having an interesting world with several clever fairy tale elements woven into it, is far from a good Cinderella reimagining. I could barely recognize the original fairytale in the plot and world Morrison created. That’s not a bad thing that Morrison expanded on the world she built, but it would have been far better not to attach the Cinderella name to it at all. As a world with fairytale references, Disenchanted is clever and fun. As a Cinderella retelling, Disenchanted is irritating, preachy, and unrecognizable as such.
Recommended Age Range: 12+
Genre: Middle Grade, Fantasy, Fairy Tales
“Don’t tell on me,” he begged. “Please. I can explain.”
“You stole Ella’s contract. What were you thinking, Jasper?”
“The same thing you were thinking!”
“Oh? Enlighten me.”
“You thought it was wrong to ignore a child just because she couldn’t pay,” said Jasper. “You proved it by letting me come here, didn’t you?” His breath came fast. “We should do this together. We should help Ella.”