Dreams in the Golden Country: The Diary of Zipporah Feldman, a Jewish Immigrant Girl, by Kathryn Lasky, was published in 1998 by Scholastic.
I would rank Dreams in the Golden Country on the middle-upper scale of Dear America books. It accomplishes so much more than similar immigration stories like So Far From Home; it talks about immigration (and even describes, very briefly, the Northern Ireland and Ireland conflict, as well as Catholicism versus Protestantism), labor unions, factory work, and even suffragism. And of course, it deals with the transition from a predominantly Jewish culture to one that is influenced by many religions and cultures.
Not being Jewish, I don’t know how good Lasky was at
communicating Jewish beliefs or history. It fits with what I’ve read and heard
about, so nothing jumped out at me as being overwhelming inaccurate. I liked
the way Lasky showed both the Jewish people, like Papa, who seemed to enjoy the
freedom a new country gave them in their religion and the Jewish people, like
Mama, who wanted to hold on to the traditions for as long as possible. It made
for some interesting conflict as well as some potential for discussion over
keeping traditions and culture in a new place.
The main flaw with this book is the way Lasky
continually plays up the “golden country” aspect of the novel. I don’t doubt
that many immigrants viewed it that way, nor do I necessarily disagree with
that idea or with what Zipporah felt in the book, but the way it was handled in
the book was clunky and felt a bit too orchestrated, like Lasky was putting it
in there because of the “Dear America” on the title, rather than as a natural
extension of Zipporah’s thoughts and feelings.
Coal Miner’s Bride has a terrible title, but the book is
definitely one of the more relevant Dear America books, describing “mail-order
brides,” immigration, mining, strikes, and labor unions, as well as taking
place leading up to and during the events of the Lattimer massacre, where
workers on strike were shot and killed by sheriffs.
“Mail-order brides” is perhaps not the best term to
use for this particular marriage arrangement described in the book. Bartoletti
describes how many immigrant coal miners would marry off their daughters to
fellow workers—when their daughters weren’t even in America. Anetka is in
Poland, with its culture steeped in Judaism and arranged marriages, when her
father promises her hand to another worker in Pennsylvania.
Besides being one of the more interesting
historically, A Coal Miner’s Bride also
has one of the better protagonists with a good development throughout. I loved
Anetka and her determination, her courage, and her desire to love and be loved.
Her attempts to make her marriage to Stanley be a happy one despite the lack of
love are poignant, and all of her feelings that come about before, during, and
after the major events of the novel are relatable and realistic. I have a soft
spot for protagonists who want to love and want to be loved in return, yet who
doubt that they will ever truly find joy.
I do wish that some of the things that happened at the
end had been delivered a bit better. The book’s last quarter is very quick,
with strikes and unions and retaliations happening one right after the other.
The author also spends a lot of time in the historical notes talking about an
event that didn’t even show up in the book, as if that was the real story she
wanted to write and she was stuck writing this one instead. However, after a
few disappointing Dear Americas, A Coal
Miner’s Bride shone, with its relevant and interesting look at immigrants
and coal mining and its delightful protagonist, Anetka.
Recommended Age Range: 8+
Warnings: Anetka is married, but manages to wave away certain particulars of married life by claiming privacy.
West to a Land of Plenty: The Diary of Teresa Angelino Viscardi, by Jim Murphy, was published in 1998 by Scholastic.
West to a Land of Plenty is the third or fourth Western expansion Dear America novel, this time telling the story of an Italian family going to Idaho Territory. It’s more like All the Stars in the Skythan like Across the Wide and Lonesome Prairie (the best of all of them): less memorable, more boring, with too much emphasis on travel rather than on community and settlement (Across the Wide and Lonesome Prairie did both).
However, West to
a Land of Plenty does do at least one groundbreaking thing: having more
than one person write in the “diary.” Teresa is joined by her sister, Netta,
and they both end up recording the journey. It’s a new thing for the Dear
America books, and it makes this novel stand out just a little bit more. Also
different is the fact that the family is Italian, so emigration and culture
play a small role, as well.
To be honest, I think I would have enjoyed this book
more if I hadn’t been reading the series in chronological order and hadn’t read
three other wagon-train books before this one. It’s really not that bad, and
the joint writers make the novel more interesting than some others. But in the
order I read them, I was already tired of wagon-trains and traveling books, so
unfortunately that affected my opinion of the novel and that’s why I gave it
such a low rating. I’m ready to read about a new topic in these Dear America
My Face to the Wind: The Diary of Sarah Jane Price, a Prairie Teacher, by Jim Murphy, was published in 2001 by Scholastic.
Dear America picks some odd topics to focus on. My Face to the Wind is about teaching school in the West. And it’s about as interesting as it sounds.
I’m sure that topic could be made interesting—Laura Ingalls Wilder’s story in These Happy Golden Years comes to mind—but the book takes way too long to get to the actual teaching part, and there isn’t enough conflict or tension to keep things interesting. Oh, sure, Sarah Jane has some problems with her pupils, but not that much, and there’s very little of the novel actually focused on teaching. Most of the time Sarah Jane is only briefly describing what she does, while expounding on the tension at her boarding house or on brief clashes with the students.
There’s also such a strange inclusion here of a Reverend character. In the Historical Note, Murphy talks about religion, so it’s not strange to have a Reverend. What’s strange is that the Reverend’s actions are contrasted with that of the boarding house owner, Miss Kizer, and there’s an odd scene where Sarah Jane observes Miss Kizer reading her Bible and thinking and smiling, and Sarah Jane thinks, “Hmm, I wonder what she’s thinking about.” Then it never comes up again. So whatever comparison Murphy was trying to make falls a bit flat amidst all the other preachiness.
A lack of conflict in My Face to the Wind, coupled with a lack of focus on the actual teaching and weak student confrontations, makes it very boring. What saves it from a 1/5 rating is some interesting revelations about state law, hiring teachers, and other historical details. Yet, it’s still another random topic, uncompelling Dear America book to throw on the pile.
My Heart is on the Ground: The Diary of Nannie Little Rose, a Sioux Girl, by Ann Rinaldi, was published in 1999 by Scholastic.
My Heart is on the Ground is probably the most controversial Dear America book, and perhaps reportedly the most historically inaccurate. It’s the story of a young Lakota girl at the Carlisle Indian School and her experience there, and unfortunately it’s really not the best representation. That’s really a bit of an understatement, but since I don’t know much about the Carlisle Indian School (or any of those schools), I can only surmise from what I’ve heard people say about the book, as well as from the book itself.
I’m of the opinion that any book is useful for learning and teaching, which is why I didn’t give this book a lower rating. If anything, this book is a good stepping stone for a discussion on Indian schools and the treatment of the children there. It’s also a good lesson for how simplifying material to fit the audience can distort at best, and mislead at worst, other cultures and beliefs.
The story is…not great. Even I can tell the tone is tone-deaf, at best, and I only know little bits of Indian history from books such as I Buried My Heart at Wounded Knee. Just like in The Girl Who Chased Away Sorrow, the tone is completely wrong. Nannie Little Rose is way too happy about the school, even in the midst of describing how the Carlisle Indian School is visibly eliminating most everything to do with her culture.
Plus, the author’s note is so lethargic, and so vague, that it makes Rinaldi seem as if she’s deliberately downplaying the history that she must have researched, or not willing to go into more depth and nuance in a children’s book. It is possible that the audience and nature of these books pressured her, or perhaps Scholastic did. I won’t really speculate as I can’t know for sure. But it seems odd that some of these books seem so well researched, and others not at all (or the research ignored).
I think many works of historical fiction have benefit, but it’s hard to talk about any benefit to My Heart is on the Ground beyond “how to enrage people with inaccurate history.” I’m really not sure what Scholastic, or Rinaldi, was thinking. Letting children know about that time period: good. Doing it in the way they did, when any amount of historical research will reveal the opposite of what this book is saying: bad.
Behind the Masks: The Diary of Angeline Reddy, by Susan Patron, was published in 2012 by Scholastic.
Dear America has always been one of those book series that stood out to me for several reasons. The first is that they portray important moments in American history (or events that have global effects, such as the sinking of The Titanic). The second is that they portray those moments from the eyes of someone who lived in that time period, so it gives us a sense of what it might have been like to live in that time period. The point is that Dear America is not your average historical fiction, and, I’ll argue, at its best it was never intended to be.
I’ve read two books from the revamped Dear America, and I still don’t get it. Why revamp it? Okay, I get that they want to “pretty it up” and make it appear “more” fictional (as if being in the fiction section wasn’t enough) by putting the author’s name on the front. But so far, of the two I’ve read, I haven’t been impressed. At least Down the Rabbit Hole detailed the Chicago fire. Behind the Masks is basically just your average historical fiction, detailing the life of a mining town right around the time when mining towns started to get in trouble financially, as well as degrade socially.
The story revolves around the actually-real mining town of Bodie and its actually-real citizens. The only prominent character who doesn’t have a real-life counterpart is the narrator, Angeline. Now, usually in Dear America books, the plot revolves around whatever event that book is portraying. This one, though…this one reads like a standard historical fiction. I almost couldn’t believe it was a Dear America book when I read the back. This literally could have been any historical fiction book for children. There’s no event the book revolves around. It only revolves around a place, the town of Bodie. There’s a melodramatic murder mystery of sorts, and Angeline also spends a lot of time thinking about plays and hanging around vaudevillian characters.
I really like books to have purpose, especially historical fiction, and I feel as if this book has none. Why was it written? To tell people about this old town of Bodie? Who cares? To tell people about how to make linen masks? Okay, boring. To tell people about the attitudes towards the Chinese? Okay, but why leave most of the information in the historical notes, which most readers probably don’t read (I didn’t, as a child)?
The thing I liked best about Behind the Masks is the pretty gold design on the front and Angeline’s portrait. The story itself was disappointing, and not what I think Dear America should be. But maybe I’m expecting too much out of the series since it’s so dear to me.
Land of the Buffalo Bones: The Diary of Mary Ann Elizabeth Rodgers, an English Girl in Minnesota, by Marion Dane Bauer, was published in 2003 by Scholastic.
Land of the Buffalo Bones is a “special edition” of Dear America, though at first I didn’t know why. However, it became clear at the end—this Dear America book was based off of real people. And I don’t mean that real people showed up as side characters within the book, as happened in previous Dear America books. I mean that the protagonist herself was a real person—though not much is known about her.
Bauer relates the story of Reverend George Rodgers, who took his family and a large group of people from England to Minnesota, filling their heads with talk of fertile soil and beautiful land. The reality, of course, is harsh winters, hot summers, grasshoppers, and bleached buffalo bones everywhere, not to mention Indians. Rodgers soon leaves his “colony” in disgrace, moving his family around after that. Polly is the protagonist and the voice of the story, though, as the author’s note reveals, not much is known about her at all, so most of the information given in this book is made-up by the author.
The struggle of immigrants in a harsh land may be a tale that’s interesting to some, but Polly is such a disagreeable, passive protagonist that it’s hard to find anything compelling about this book. As is the problem with many Dear America books, there is too much observation and not enough plot to sustain the novel. Polly is merely a passive observer to all around her—even her friendship with Jane is seen at a distance, and Jane’s ultimate decision to leave the colony is marred by Polly’s blunt language and bewilderment at the entire affair. If more had been given for Polly to do—if Polly had interacted with people beyond her family and Jane, done more than gripe at her younger sisters and exclaim at the extreme weather conditions—this might have been a more interesting book.
Land of the Buffalo Bones was obviously a labor of love for the author, who is chronicling a fictionalized version of her family’s history, but it’s not particularly exciting and it adds nothing to the Dear America canon. Polly is too bland of a character, and the book too observational. It has a little historical value in its exploration of religious freedom, but very, very little—and almost nothing to contribute in other areas. Dear America books are so much better when they are focused on significant events, rather than on vague periods of time.
Down the Rabbit Hole is the first of the revamped Dear America books I’ve read. Scholastic prettied up the covers, added the author’s name to the front, and placed a summary, rather than an excerpt, on the back of the book. I think the official reasoning behind it was that it made the books appear more like fiction (the old Dear America books did not have the author’s name at the front, and the copyright page was in the back of the book), but the complaints of “How are we supposed to know it’s fiction?” towards the old Dear America books always seemed thin to me. It’s in the fiction section, people—it’s fiction!
Anyway, my first experience with the revamped books wasn’t that bad. To be honest, I would have rated this book higher if it hadn’t been for the ending. The ending seriously annoyed me. I also didn’t like the titles of the sections, as it really disrupted the diary feel of it. And though I found the constant going back-and-forth in time annoying at first, I soon got used to it.
I would probably rank this book in the middle of my imaginary Dear America rankings. It seems more useful and historically integrated than A Light in the Storm, but it’s not as compelling as I Thought My Soul Would Rise and Fly. Bartoletti talks about labor unions, Down’s syndrome, and the Chicago fire well enough, but a lot of her plot hinges on convenience. Cager arriving at the Pritchard’s house was when everything turned awry for me. There was too much convenience, too many things being revealed, and several out of character moments. The ending was a letdown.
I don’t really understand the reason for the revamped Dear America books, but at least Down the Rabbit Hole promises somewhat good additions. Everything in the book was strong until the ending. I don’t know if I like the stylistic choice, but I’m glad to see that the change didn’t lead to a significant drop in quality.
The Great Railroad Race: The Diary of Libby West, by Kristiana Gregory, was published in 1999 by Scholastic.
I’ve mentioned before that I think Kristiana Gregory’s Dear America books are some of the best in the series. Seeds of Hope and Across the Wide and Lonesome Prairieare among my favorites. Gregory seems to understand a balance of slice-of-life and history is needed in order to make these books shine.
That being said, The Great Railroad Race is a bit of a downer. While an important period of time, there just aren’t enough things that happen. It’s certainly very informative, but it’s lacking a little sparkle, in my opinion. There’s too much of Libby blushing about Pete and not enough about the politics and culture of the time. Gregory does include some things about the conflict with the Indians, as well as mentioning the Chinese that worked for Central Pacific, and there’s a great deal of information about what it was like near the railroad. But it’s too much in the background, I guess—it reads too much like information and there’s not enough immersion.
I did like Libby, though, with her matter-of-fact comments. Gregory did a good job of inserting the sort of opinions a girl would put in her diary, such as her thoughts on the President, the Indians, and the culture of the time. I’ve complained before about the protagonist simply being a vehicle for historical information, or for not being present enough in her own story, but there’s none of that here.
The Great Railroad Race definitely isn’t the worst of Dear America, but it’s not really near the best. It’s a good, average book in the series. The historical information is interesting, but not as immersive as others. Libby is a great protagonist, although she spends a little too much time talking about her feelings for Pete. It’s not my favorite of Gregory’s books.
I Thought My Soul Would Rise and Fly: The Diary of Patsy, a Freed Girl, by Joyce Hansen, was published in 1997 by Scholastic.
I Thought My Soul Would Rise and Fly is a delightful story about Patsy, a freed slave who is struggling to find her identity and place in society. I knew very little about the beginning of the Reconstruction era that took place in the South after the Civil War, such as the government’s dealings with the freed slaves, so it was interesting to read this book to find out a little more.
Historical details aside, the heart of this book is Patsy’s story, as it should be. The best Dear America books are those that aren’t just there to give information about a particular time period, but actually tell a story through the diary entries. It seems pretty straightforward when I say it like that—why wouldn’t these books tell a story? But A Light in the Storm and a couple other Dear America books that I have read failed to move beyond the diary entries as a mouthpiece for the setting. I Thought My Soul Would Rise and Fly makes Patsy, rather than the setting, the center.
I always have a soft place in my heart for protagonists who outwardly appear weak or are looked down upon, but have inner strength that shows itself in various ways (that almost never has to do with physical strength). Patsy, with her stutter and her seemingly “slow” mind, outwardly appears slow and weak, but inwardly she’s sharply intelligent—which shines when she’s doing what she loves. Patsy overcomes not only her stutter, but also her former status as a slave, and chooses for herself a name and a position the process of which is truly heartening to experience.
After so many disappointing Dear America books, I Thought My Soul Would Rise and Fly was a delight, with a character-driven plot, a delightful protagonist, and a timeless message. It sheds light on an era that I didn’t know much about, but still remembers that it should also be a story, not just a mouthpiece for history. This book will likely remain a stand-out for me among all of the Dear America books.