The Only Road by Alexandra Diaz

The Only Road, by Alexandra Diaz, was published in 2016 by Simon & Schuster.

Rating: 4/5

The Only Road was much less preachy and heavy-handed than I thought it would be Instead, Diaz tells a compelling story of two children fleeing their town in Guatemala after being targeted by the local gang. Their destination is, of course, the United States, where Jaime’s brother lives. They must travel through the security-heavy borders of Mexico and the US, hide from gangs and immigration officers, and try not to lose each other.

Diaz gives a chilling picture of what it is like to travel through Mexico in secret. Apparently, Mexico is not very fond of other Central or South American countries, and of course the US heavily patrols its borders, so Jaime and Angela must fake their way through a bus ride, almost die in a closed boxcar of a train, scrape up enough money to pay a coyote to take them across the Rio Grande, and then safely contact Jaime’s brother. And Diaz communicated all of this without ramming her ideas of immigration down the reader’s throat. Instead, she uses the story to paint the picture, a much subtler approach that I appreciate.

The only thing I struggled with in the book was the appearance and disappearance of Jaime and Angela’s traveling companions, as well as the abrupt, almost-too-happy ending. I do understand that it’s likely that traveling companions will leave, eventually, but it seems to go against the book a bit—though of course Diaz is perhaps just emphasizing the separation of friends at certain points. The ending, too, is almost too happy, where Jaime, Angela, and Tomas drive off into the sunrise and nothing else is offered regarding Jaime’s and Angela’s status as illegal immigrants. Perhaps it’s because this book is for children that Diaz decided to end it as she did.

The Only Road pleasantly surprised me, and overall, despite a few wobbles, it offers a compelling story about the reasons someone might flee their home and head for a better life in a new country. It also shows lots about Central American and South American culture, such as Mexico’s heavy security in regards to immigration and the people’s dislike of outsiders. It was interesting to read about, and I appreciated it that Diaz went for subtlety rather than outspokenness.

Recommended Age Range: 12+

Warnings: Violence, death, disturbing images

Genre: Middle Grade, Realistic

You can buy this book here:

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