I enjoyed the first two Track books, Ghost and Patina, but Sunny is the weakest one so far. It’s messy and all-over-the-place, and I get that it’s supposed to be inside of Sunny’s head, but half the time he’s just making random noises and talking about random things. Maybe that’s appealing to some, but not to me.
There’s a lack of depth to the book, too, that seems out of place, especially when comparing it to the previous two books. There’s some sad stuff going on, but there’s really not that much to the book at all. Half of it is just Sunny making sound effects and thinking about dancing. Yes—those parts of the book really bothered me! The scenes with Sunny and his dad were good, and the handling of all the unspoken (and spoken) expectations that Sunny is trying to fill, when he also wants to strike out on his own, were good. But I like tightly-focused, tightly-plotted books, and Sunny was just too stream-of-consciousness for me.
I also am growing very irritated of Reynolds’s penchant to ending the books right in the middle of a track meet (and then starting the next book with the resolution of that track meet). It’s hokey, and doesn’t really accomplish much. There’s no sense of closure or growth by cutting off the book right in the character’s shining moment. Instead, we’re left to wonder “Did he do it?” and there’s no rush of victory that is so great to feel when reading a book that’s so character-focused as this one.
I think I might still get the last track book, just to finish the series, but Sunny was ultimately a disappointment. Too random, too noisy, and just not my cup of tea.