Down the Rabbit Hole is the first of the revamped Dear America books I’ve read. Scholastic prettied up the covers, added the author’s name to the front, and placed a summary, rather than an excerpt, on the back of the book. I think the official reasoning behind it was that it made the books appear more like fiction (the old Dear America books did not have the author’s name at the front, and the copyright page was in the back of the book), but the complaints of “How are we supposed to know it’s fiction?” towards the old Dear America books always seemed thin to me. It’s in the fiction section, people—it’s fiction!
Anyway, my first experience with the revamped books wasn’t that bad. To be honest, I would have rated this book higher if it hadn’t been for the ending. The ending seriously annoyed me. I also didn’t like the titles of the sections, as it really disrupted the diary feel of it. And though I found the constant going back-and-forth in time annoying at first, I soon got used to it.
I would probably rank this book in the middle of my imaginary Dear America rankings. It seems more useful and historically integrated than A Light in the Storm, but it’s not as compelling as I Thought My Soul Would Rise and Fly. Bartoletti talks about labor unions, Down’s syndrome, and the Chicago fire well enough, but a lot of her plot hinges on convenience. Cager arriving at the Pritchard’s house was when everything turned awry for me. There was too much convenience, too many things being revealed, and several out of character moments. The ending was a letdown.
I don’t really understand the reason for the revamped Dear America books, but at least Down the Rabbit Hole promises somewhat good additions. Everything in the book was strong until the ending. I don’t know if I like the stylistic choice, but I’m glad to see that the change didn’t lead to a significant drop in quality.