The Neverending Story, by Michael Ende, was published in 1983 by Doubleday (1979 in Germany).
This epic work of the imagination has captured the hearts of millions of readers worldwide since it was first published more than a decade ago. Its special story within a story is an irresistible invitation for readers to become part of the book itself….The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place—by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic—and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart.
The Neverending Story is a movie that I’ve heard referenced many times, especially in college. I’ve never seen it, and I had forgotten that the film was based off a book until I saw it at the library. I like fantasy, so I decided to give it a try.
The Neverending Story is a story-within-a-story, cleverly written with different colors of ink to represent two different worlds, and solely designed to have the reader imagine that they, like Bastian, are able to participate in Fantastica. Even the cover art was carefully chosen to match the description given in the book. It was quite clever, one of the more creative uses of the story-within-a-story trope that I’ve read. I feel like this is what Cornelia Funke was trying to get Inkheart to be like, except reversed (characters coming into the real world rather than humans going into the fantasy one).
I always enjoy protagonists who fluctuate a bit in likeability—like Johnny Tremain in Esther Forbes’s book of the same title. Bastian starts out as the passive protagonist, then switches to the active one—and along the way experiments with villainy as his power gets away with him. Ende does a remarkable portrayal of the corruption of power, as well as the way living too much in your imagination results in your real life slipping away from you.
There is some grand message to the whole book, of course, but I feel like it’s done rather well, without being laid on too thick. Either that, or it’s interwoven well enough that it doesn’t feel like it’s too much. Ende has a lot to say about imagination, and the role that the reader has in participating in the fantasy world, and the way readers shape stories.
The Neverending Story gets a little bloated at times—it’s a long book—but I enjoyed the character development, the way Ende visualizes the writing process and the role of the reader, and the adventure feel to the whole thing. Now, I guess I’ll have to watch the movie!
Recommended Age Range: 10+
Genre: Fantasy, Middle Grade
“My life belongs to you,” said the dragon, “if you’ll accept it. I thought you’d need a mount for this Great Quest of yours. And you’ll soon see that crawling around the country on two legs, or even galloping on a good horse, can’t hold a candle to whizzing through the air on the back of a luckdragon. Are we partners?”
“We’re partners,” said Atreyu.
“By the way,” said the dragon. “My name is Falkor.”