A Corner of White, by Jaclyn Moriarty, was published in 2013 by Arthur A. Levine.
Madeleine and her mother have run away from their former life, under mysterious circumstances, and settled in cramped quarters in a rainy corner of Cambridge, England. Meanwhile, in the Kingdom of Cello, Elliot is searching for his father. He disappeared a year ago, the same night that Elliot’s uncle was found dead on the side of the road. Official word is that a third-level Purple is responsible, but talk about town is that Elliot’s dad may have murdered his brother and run away with the high-school physics teacher. Elliot refuses to believe this, and is determined to find both his dad and the truth. When Madeleine and Elliot begin to exchange messages across worlds—through an accidental gap that hasn’t appeared in centuries—the large and small events of their lives start to intertwine. Dangerous Colors are storming across Cello (a second-level gray will tear you to pieces; a first-level Yellow can blind you), while Madeleine is falling for her new friend jack. In Cello, they are searching for the tiny Butterfly Child, while Madeleine fears that her mother may be dangerously ill. Can a corner of white hold a kingdom? Can a stranger from another world help to solve the problems—and unravel the mysterious—in your own? And can Madeleine and Elliot find the missing pieces of themselves before it is too late?
A Corner of White, and by extension Jaclyn Moriarty, reminded me a great deal of Maggie Stiefvater’s works. Moriarty effortlessly blends together both the real world and Cello and makes Cello seem both ordinary and extraordinary at the same time with familiar aspects and fantastical additions. She also spends some time poking fun at worldbuilding and, perhaps, what people expect from fantasy worlds, with a letter from Madeleine asking Elliott everything under the sun about Cello (such as its politics, its stance on certain social issues, etc.). Yet even though Elliot never answers those questions, Cello never feels underdeveloped or weak as a world.
I also give props to Moriarty for making the plot become much more complex than I was expecting in the last few pages of the novel. I love flip-arounds like the one that happened here, and it made me eager to get the next book, as opposed to ambivalent as I felt for much of the book.
However, the main flaw of A Corner of White is that its characters, especially Madeleine, Belle and Jack, speak in increasingly unrealistic voices as the novel goes on. The trend in young adult literature nowadays seems to be quirky, philosophical teenagers who snark and talk in ways I’ve never heard teenagers speak and be witty and insightful in every dialogue they have. However, I’ve yet to meet a teenager who actually speaks like Madeleine or Belle or Jack speak in this book—and I hang around them for a living. It’s my problem with a lot of popular young adults books, such as Stiefvater’s (especially her villains) and John Green’s (Paper Towns was the most boring, pseudo-philosophical poetic piece of nonsense I’ve read in a while)—no one actually talks like that. No teenager has wit dripping from every line or has the perfect snarky comeback every time.
That’s the ironic thing about A Corner of White—Madeleine, Belle and Jack, and some of their situations (like the odd, absurd schooling they’re getting. Yay homeschooling, but boo the insane amount of quirkiness) seem more fantastic than Elliot and, to some extent, Cello. Elliot, at least, acts mostly like a normal teenager. I found myself liking Elliot’s story (point of view may be a more apt term) more and more, and liking Madeleine’s story (point of view) less and less.
However, despite the unrealisticness of most of the characters, A Corner of White, due to its truly surprising ending, got me hooked on the rest of the series. I’m not jumping up and down for joy after reading it, but I am looking forward to reading the next book. I just hope Madeleine is a little more realistic this time.
Recommended Age Range: 14+
Warnings: Mentions of drug abuse and infidelity.
Genre: Fantasy, Young Adult
“If you could just open the book at any page, Jack, and ask a question.”
“All right.” He flicked through the pages, whistling to himself, then said, “Here’s a good one. What is philematology?”
Now Holly turned to her daughter. “The only way this homeschooling thing is going to work,” she said sternly, “is if you forget that I’m your mother and respect me as a teacher.”
“You’re funny,” said Madeleine. “It’s like you keep surprising me that way.”
Belle took the book from Jack’s hands and flipped it to a different page.
“Who is Samuel Langhorne Clements?” she said. “I mean, who’s he better known as? Not, like, who is he? Cause you could just say Samuel Langhorne Clemens.”
You see.” Holly turned again to Madeleine. “It’s true that this brief interlude of question-asking—it’s true that it might incidentally help me prepare for my quiz show, but its primary purpose is to enliven your young minds.”
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