Rose & Thorn, by Sarah Prineas, was published in 2016 by Simon & Schuster. It is the sequel to Ash & Bramble.
After the spell protecting her is destroyed, Rose seeks safety in the world outside the valley she had called home. She’s been kept hidden all her life to delay the three curses she was born with—curses that will put her into her own fairy tale and a century-long slumber. Accompanied by the handsome and mysterious Watcher, Griff, and his witty and warmhearted partner, Quirk, Rose tries to escape from the ties that bind her to her story. But will the path they take lead them to freedom, or will it bring them straight into the fairy tale they are trying to avoid?
Rose & Thorn is a retelling of Sleeping Beauty, though perhaps it’s more accurate to say it’s a reimaging. Rose & Thorn is a sequel of sorts to Ash & Bramble, which set up the idea of Story forcing people to fulfill fairy tales over and over. So, the main goal of the characters is to not have the original fairy tale happen, so things go a little differently than one might expect (although saying that may be spoilery, but oh well).
It’s a beautiful retelling of Sleeping Beauty, a fairy tale I don’t actually much like, and there’s loads of originality throughout. Rose is a great protagonist, the type of female protagonist I like. She’s not all gung-ho, “I can do everything cool and awesome” warrior-esque, which can get so tiring and boring. She’s much quieter and understated, which I prefer.
The romance was a little boring, but I find most romances boring in YA since it’s so clearly designed to appeal to teenagers. Griff as a character, at least, was interesting, although I thought the ending was a little rushed—it was believable, but definitely could have been more so in terms of his change.
The main problem of Rose & Thorn, and of Prineas’s fairytale retellings in general, is the concept of Story as this malevolent force that constrains people to its will somehow (through a Godmother, but then at the end it’s revealed it can act on its own, so why does it need a Godmother?) and forces them into fairy tales over and over. But not all stories are Story, only some—if they’re “your own stories,” whatever that is (seemingly the one you want). What if the story you want is the same one that Story wants? Anyway, it’s a little hard to swallow and several times it seems a little forced in the story, as if Prineas also realizes that an idea like Story is hard to convey or accept as realistic.
However, despite the problems of its underlying concept, Rose & Thorn is an imaginative, fresh retelling of Sleeping Beauty with memorable characters (even if you haven’t read Ash & Bramble) and an interesting protagonist, and carries enough appeal to make me want to keep reading Prineas’s fairy tale retellings.
Recommended Age Range: 14+
Genre: Fantasy, Fairy Tale, Young Adult
“Ohhhh,” I breathed. This was the Forest. It had offered the clearing as a baited trap, I realized, and it had reached out to take me as I slept. Merry had told me that the Forest was evil, and maybe I should’ve been frightened, but I suddenly felt excited. Ready to go where the Forest led me.
It was, I realized, my story beginning. “Once upon a time…,” I whispered to myself.
I ate a quick bite of breakfast, rebraided my hair, washed my face in the stream—which hadn’t disappeared, like the road—put on my cloak, slung my knapsack over my shoulders, and, ready to start, turned in a slow circle, looking for a way through the trees.
“Once upon a time,” I repeated, “there was a girl who was searching for a path through an enchanted forest.”