Pulse is written by Patrick Carman. It was published in 2013 by Katherine Tegen. It is the first book in the Pulse trilogy.
With the help of her mysterious classmate Dylan Gilmore, Faith Daniels discovers that she can move objects with her mind. This telekinetic ability is called a “pulse,” and Dylan has the talent, too. In riveting action scenes, Faith demonstrates her ability to use her pulse against a group of telekinesis masters who are so powerful they can flatten their enemies by uprooting streetlights, throwing boulders, and changing the course of a hurtling hammer so that it becomes a deadly weapon. But even with her unusual talent, the mind—and the heart—can be difficult to control. If Faith wants to join forces with Dylan and save the world, she’ll have to harness the power of both.
I’ve read Patrick Carman’s Land of Elyon books, which is why I picked up Pulse. But reading this actually shocked me, because I didn’t remember Carman writing as badly as he writes in Pulse. Maybe’s he’s experimenting with a new style, or maybe my memory is just bad and I can’t remember the way Elyon was written, but I almost stopped reading 30 pages in.
I can’t even describe why his writing was so bad. It’s something that you have to read for yourself to understand. The viewpoint was all over the place, often switching from sentence to sentence, and the writing itself was so mechanical. There’s only so many times you can listen to descriptions like “She examined it like a scientist” before you want to go read something else. There were also way too many “Faith didn’t know it, but…” or “If Faith knew what blank was planning, she would have thought twice about blank.” Also, Carman tries way too hard to dump meaning into a single activity: “There was no doubting an artistic ability that blossomed most powerfully during times of grief. There had been a lot of grief lately, and her work had turned darker and more mature. It was sad, really, that the world had to turn so dark in order to bring out her true talent.” Yes, we get it. Just start playing the violins already.
Also, all the worldbuilding information is dumped at you in one conversation in the middle of the book, which is a really clunky way to worldbuild. Also, the summary’s description of the action scenes as “riveting” is hilarious. They’re about as riveting as watching paint dry.
Honestly, this book had me alternating from being bored to tears to wanting to never read a single word in it. It was that bad. So bad that I can’t even bring myself to give you a quote because I don’t want to subject you to the terrible prose.
Recommended Age Range: 14+
Warnings: Sexual situations, psychic teenagers.
Genre: Dystopian, Supernatural, Young Adult
I never want to look at this book again, or read another one in the trilogy. It’s a shame, because I like Carman’s Land of Elyon books. I don’t understand why his writing style changed so drastically (if it did at all; it’s been a while since I’ve read Elyon).
You can buy this here: Pulse