The Girl Who Soared Over Fairyland and Cut the Moon in Two is written by Catherynne M. Valente. It was published in 2013 by Feiwel and Friends. My reviews of the first two books in the Fairyland series can be found here and here. Valente’s website can be found here.
“September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.”
What I Liked:
I talked in my reviews of the first two books that September’s voice sounded really off to me. In this one, I feel that September finally grew into her voice. It was just right, finally.
I love the unique aspects of Fairyland that Valente has shown us in each book. It reminds me greatly of the Oz books, where L. Frank Baum did something similar with showing something new each book. I especially loved the Land of Photographs and the paper circus in the whelk shell.
The ending was pretty intense, although not as awesome as The Girl Who Circumnavigated Fairyland’s ending was. I’m intrigued as to how September is going to get out of this mess, and also profoundly glad that this cliffhanger was not in the second book, but in the third—a rare departure from the FSASCH formula (although Fairyland is not a trilogy, so maybe that explains it).
What I Didn’t Like:
Nitpicky: the title is a little misleading. I mean, September doesn’t actually cut the moon in two and actually has nothing to do with the “cutting in two” of the moon at all. But I guess The Girl Who Soared Over Fairyland and Was a Passive Bystander to All That Went On There is not as catchy (before anyone complains, I’m being a bit hyperbolic. But really, September didn’t actually do much besides drive around).
I must admit, I found most of the book to be a bit…boring. The ending was better than the rest of it, but I think The Girl Who Circumnavigated Fairyland set too high of a bar in terms of plot, and as a result the rest of the series just can’t stand up to that, in my opinion. I’m also disappointed in the lack of a solid villain, and the subsequent undermining of the villain once he appeared. It makes all the tension just fizzle out in the worst way. The best thing about the Marquess was that no one truly understood her or her past, and yet once she told September (i.e., when September “understood” her), she stayed the villain anyway. Ciderskin was even worse than September’s shadow in his “misunderstoodness.” I got to that part of the book and thought, “I just read 200 pages for this?” The ending made up for a little, but only a little.
Also, the fact that people continuously spoke in run-on sentences was a little annoying.
Recommended Age Range: 12+
Genre: Fantasy, Fairy Tale, Middle Grade
September wriggled out from under the Blue Wind’s fingers, which prodded her forehead for further evidence of devilry. “But I’m not a criminal! I know all that sounds bad, but there were such good reasons for it all! What else could I have done? The Marquess was terribly cruel and my shadow would have driven all the magic out of Fairyland. And as for lying, the Green Wind told me to do it!”
The Blue Wind patted her shoulder convivially. “Oh, we all have such good reasons. It’s the reasons that make it sweet.”
“I am not a criminal,” September repeated, pulling away from the Win. “Just calling me one doesn’t make it so.”
“Well, of course you’re not a Criminal!” chuckled the Calcatrix. “Not yet. You’re not licensed to commit crimes! A fine place we’d be in if we let just anyone go about infringing and infracting!”
“Oh, forgive us, of course we don’t know you yet,” said the boy, whose long, tall body was covered in blocks of text, little birthmarks of fourteen lines each. He was made of sonnets, from head to toe. His hair was a flutter of motley ribbon marks. An intricate origami looked September in the eye, folded and smoothed and peaked into a friendly, narrow face.
“But we feel as though we do!” cried the girl, whose body was the warm, expensive gold of old letters, an elegant calligraphy covering every inch of her round, excited cheeks, her acrobat’s costume, her long, red, sealing-wax hair, the postmarks like freckles on her shoulders. September could make out a number of addresses and signatures, words like Dearest, Darling, Yours Foerever, Heart of My Heart: love letters, woven together to make a girl. “I’m Valentine,” she said, holding out her angular hand.
“I’m Pentameter,” said the sonnet boy.
The Girl Who Soared Over Fairyland continues the great portrayal of Valente’s Fairyland, with new places to see that are equal parts Alice in Wonderland, Oz, and something new all together. However, I did find it a bit boring, and a little disappointing. The ending made up for it a little, but not quite. I would read The Girl Who Circumnavigated again, but not this one.
You can buy this here: The Girl Who Soared Over Fairyland and Cut the Moon in Two